The Yurei
Eichi Sato, known better in the following years for his work on the live-action adaptations of Lychee Hikari Club (2016) and Miso Misou (2018), found his way to shock us from the very beginning with his debut movie. Let’s Make the Teacher Have a Miscarriage Club (2011) is a film with many flaws, but its
After File 01 went off with a bang, Koji Shiraishi’s Senritsu Kaiki File Kowasugi! File 02: Shivering Ghost (2012) tries something different and turns out unexpectedly good. The first episode of the mockumentary series didn’t disappoint in serving Koji’s found footage brands and Japanese myth goodness, showing how his knack for storytelling and genre
There is something about bad media that can be extremely attractive in some cases. Why The Room is still revered while The Exorcist II is panned? This fine line between so-good-it-is-bad and please-kill-it-with-fire-bad is still baffling. Maybe because we have always tried to make sense of this oddity, we end up being drawn to absolute
Audition (1999) is the scariest movie of all time. I say that without hesitation or hyperbole. No other director is as effective with their imagery as Takashi Miike is here, and no other film elicits fright as consistently on a tenth viewing as the first. The film is a delightful descent into madness executed nigh
Akira (1988) is a classic film, no doubt, as a cyberpunk adventure set in a decaying Tokyo, no different from the dystopian lifestyle of Neon Genesis Evangelion in which the traumatic circumstances have parallels. Corruption, terrorism, and crime are rife – safety is a negligible concern in the downtrodden society of casual indifference. The film
Fox Tales (Kitsune no Hanashi) is a Japanese compendium of short horror stories: “Fox Tales”, “The Dragon in the Fruit”, “Phantom”, and “The Water God” penned from the mind of Tomihiko Morimi and published in English by Yen Press. Morimi is most notable as the author of The Eccentric Family, Penguin Highway, The Night is
Paraphrasing the words of a certain author, it is a truth universally acknowledged that a book will be almost always better than its movie adaptation. Yes, almost always because, despite the clear propensity of the written source being much more interesting and developed, sometimes flukes happen and the movie is indeed superior. That is why
It’s understandable why Japanese filmmakers focus so often on the feudal era in their horror cinema. It’s a setting so naturally horrific in the plight and pain of the peasant class that few supernatural elements are necessary to invoke dread in audiences. The stark reality of daily life alone is enough to make the viewer
Recently, disturbing news regarding Masaaki Nakayama, a horror manga author known for his manga Fuan no Tane (2013), has been circulating online. According to many social media posts, he has stopped working in his most recent work to “stay alive”. Dramatic as it sounds, even some relatively reliable sources have been echoing this information as
It has now been 24 hours since I watched Pulse (2001), and I still find myself at a loss. It was a movie that I desperately wanted to enjoy, a cardinal sin for a reviewer who should go in with a blank slate and little expectations. The weight of preconceived notions can hang about the