Tag: film review
Female Harakiri: Glorious Death is a 1989 Japanese ero guro/fetish gore film directed by Akio Fuji. Sitting alone in a darkened room, a kimono-clad former soldier commits seppuku. Setting a precedent for the series, Female Harakiri: Glorious Death is a bleak and disturbing depiction of ritualistic suicide. The ambiguous lack of narrative or dialogue (recurring
While Phallacies was a brazen exploration of male genitalia, and Analogies took an unflinching examination of the anus, filmmakers Domiziano Cristopharo and Jon Devlin have returned to tackle human extremities situated a little lower on the body: the humble foot. Heavily stigmatised throughout the world with its association with uncleanliness, and often the butt of
Onne is a 2006 Japanese horror film written and directed by legendary filmmaker Shozin Fukui. The film is one of the last feature-length titles Fukui worked on as writer/director, in addition to Den-Sen (2006). A 23-year-old hikikomori, Takeshi, lives an isolated life, willingly trapped inside his apartment. However, after a strange gas attack disables all
Death Penalty.com is a 2011 Japanese psychological horror thriller written by Toshifumi Hiroki and directed by Ryota Sakamaki. Both known for their work in budget horror titles, Ryota Sakamaki has worked as a director on such films as Neo Document Series ZONE (2004), Scarier Stories than Ghosts Vol. 1 & Vol. 2 (2005), and Dark
Cradle of Fear is a 2001 British extreme horror anthology film written and directed by Alex Chandon, and starring Cradle of Filth Frontman, Dani Filth. Cutting his teeth in the industry as writer and director of the short horror films Chainsaw Scumfucks (1988), Bad Manor (1989), Bad Karma (1991), and Drillbit (1992), Alex would go
Sana: Let Me Hear (2024), also known as Ano Ko wa Dare or Who’s That Kid, is a direct sequel to Takashi Shimizu’s Sana (2023), a film which I thoroughly enjoyed. Admittedly, I was oblivious to the fact that Sana would even receive a sequel, as I felt like everything was wrapped up nicely in
Lost Paradise: Riding Habit Harakiri (‘Shitsurakuen’: jôbafuku onna harakiri) is a 1990 extreme horror/Ero Guro short film written and directed by Masami Akita. While best known as one of Japan’s leading noise music composers under the stage name Merzbow, Masami Akita has also directed the similarly themed horror short Bandage Anatomy Woman (1995)—a film often
Exit 8 is a 2025 Japanese psychological horror film written and directed by Genki Kawamura, with additional writing from Kentaro Hirase. The film is based on the video game of the same name, created by Kotake Create. Genki is known as a producer for such titles as the live-action adaptations Parasyte: Part 1 (2014) and
I was initially taken aback by the title of this film—I assumed that Lee Cronin was some prolific filmmaker that I had yet to familiarize myself with, but a quick Google search revealed that he’s a relatively new arrival to the mainstream. He stepped into the spotlight fairly recently by directing Evil Dead Rise back
Splatter: Naked Blood is a 1996 extreme splatter horror film written by Taketoshi Watari and directed by Hisayasu Satô. Watari is known as a screenwriter and actor who worked closely with the director, collaborating on numerous titles in both roles. Satô is notable as a boundary-pushing director, known for films such as Lolita Vibrator Torture