Tag: film review
Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei was struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969
The film It (2017) surprised me. In fact, I saw it five times due to how much I enjoyed it! Unlike a majority of modern horror films, it focused more on story and character development rather than cheap jump scares and overused horror mechanics. This is why I am breaking this review into two: the
La Petite Mort II: Nasty Tapes is a 2014 splatter horror film, written and directed by Marcel Walz with additional writing from Annika Strauss. The film is a continuation of the gory horror thriller La Petite Mort (2009), also written and directed by Marcel Walz (check out our review of the first film here). The
Island of Death (Ta Paidia Tou Diavolou) is a 1976 exploitation horror film written and directed by Nico Mastorakis. Most notable as the founder and owner of independent film studio Omega Pictures and Omega Entertainment, Nico is well-versed in film production, writing, and directing with over 40 different features such as Death Has Blue Eyes
“A rose by any other name would smell as sweet.” The adage above—from William Shakespeare’s play Romeo and Juliet—has stood the test of time, having been referenced in countless other books, television shows, and films. The assertion that the names of things do not affect what they really are is perhaps more relevant now than
The original electrifying Evil Dead burst onto the horror scene in 1981 and wrapped its spindly tendrils around the throat of passionate horror fans worldwide, keeping us on the edge of our seats and our hearts racing. Since then, the franchise hasn’t given up steam and has continued to prove its deserved stake in the
Canadian director and writer Brandon Cronenberg’s third film, Infinity Pool, is a critically well-received, bewildering film that lends itself to widespread interpretation. Many reviewers discuss its timely, global topics such as criticism of class systems and wealth inequality, the negative consequences of tourism, and the risks of self-indulgence. On a smaller, personal scale, Infinity Pool
One of the crowning glories of the horror film genre is how much can be done with so little. From budget to effects to characters, indie horror films prove time and time again that ingenuity and vision make for great fright, not a crowded screen and a high budget (although it can be magic when
Director Koji Shiraishi takes a dip into cryptozoology in Senritsu Kaiki File Kowasugi! File 03: Legend of a Human-Eating Kappa (shortened to File 03). In this third installment in the Senritsu Kaiki File series, the eccentric documentary crew composed of the crazed director Kudo Hitoshi, assistant Miho Ichikawa, and the cameraman (played by Koji, himself)
Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei were struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969