Tag: Japanese Horror
Love Foolery Case for a Dismembered Body is a 2024 Japanese supernatural horror pinku film written and directed by Daisuke Yamanouchi. Known as an eclectic filmmaker, Yamanouchi has over 130 directorial credits to his name. These include horror films such as Dead A Go-Go (1998), Red Room (1999), and its sequel Red Room 2 (2000);
Psycho= is a 2009 Japanese horror thriller written and directed by Ami Matsunosuke. Being the first title worked on by the filmmaker, they would go on to write and direct Shinreion: The Movie (2010), direct Sanzu: Sun of the Dead (2011), and work as a producer on Koi no Eiga wo Tsukuro (2014) and Jiku
Death Penalty.com is a 2011 Japanese psychological horror thriller written by Toshifumi Hiroki and directed by Ryota Sakamaki. Both known for their work in budget horror titles, Ryota Sakamaki has worked as a director on such films as Neo Document Series ZONE (2004), Scarier Stories than Ghosts Vol. 1 & Vol. 2 (2005), and Dark
Sana: Let Me Hear (2024), also known as Ano Ko wa Dare or Who’s That Kid, is a direct sequel to Takashi Shimizu’s Sana (2023), a film which I thoroughly enjoyed. Admittedly, I was oblivious to the fact that Sana would even receive a sequel, as I felt like everything was wrapped up nicely in
Exit 8 is a 2025 Japanese psychological horror film written and directed by Genki Kawamura, with additional writing from Kentaro Hirase. The film is based on the video game of the same name, created by Kotake Create. Genki is known as a producer for such titles as the live-action adaptations Parasyte: Part 1 (2014) and
Splatter: Naked Blood is a 1996 extreme splatter horror film written by Taketoshi Watari and directed by Hisayasu Satô. Watari is known as a screenwriter and actor who worked closely with the director, collaborating on numerous titles in both roles. Satô is notable as a boundary-pushing director, known for films such as Lolita Vibrator Torture
When About a Place in the Kinki Region (2025) was first announced, I wasn’t able to discern that it was directed by Koji Shiraishi—the announcement came in the form of two poster reveals on my feed, with the description in all Japanese—but when I looked at the poster with the female character’s face on it,
To start, this is indeed an indirect sequel to 2020’s Stigmatized Properties, directed by none other than J-horror icon Hideo Nakata (Ringu, Dark Water). I’ve said and written this numerous times before: Nakata-san’s films have been hit or miss for me after The Complex (2013)—which I thoroughly enjoyed—with more misses than hits. The first Stigmatized
We meet Elena, a “gajin” with a British father and Japanese mother, at her lowest, in a hospital bed after an implied attempt at taking her own life, or self-harm to the point of hospitalization. This incident acts as a catalyst to send her to a new school, where, while she still feels the prejudice
After stepping away from filmmaking since 2019’s charming musical comedy Dance with Me, director Shinobu Yaguchi makes his return with Dollhouse (2025), a horror tale centered on a cursed doll, of all things. Those who are only mildly familiar with Yaguchi-san’s filmography may find this genre jump to be rather jarring, but I assure you