*I feel the need to add to this article the fact that I was engaged as a freelance contributor to the film’s post-production team, specifically responsible for creating the end credits. While this does make me part of the film’s crew, this fact has not influenced my thoughts on the film in any way.* Human

Continue Reading

Why are horror and exploitation films so popular? Why do fans willingly submit themselves to the gruelling, torturous experiences that these genres provide? The simple answer is it feels good to be scared. Movies like Night of the Living Dead (1968) or Faster Pussy Cat, Kill Kill! (1965) allow fans to experience unique, unusual and

Continue Reading

Some horror games want to scare you. Look Outside wants to crawl under your skin, settle in, and remind you of just how fragile you are — and it succeeds beautifully. This isn’t just another pixel-art “retro horror” release. Look Outside feels like a lost classic, the kind of eerie, rough-edged RPG you would have

Continue Reading

Cory Pratt’s Hide (2025) is a perfect mix of graphic imagery and careful restraint. In just a short runtime (less than 20 minutes), it manages to say more than many full-length feature films do, delivering tension, unease, and pointed social commentary without ever tipping into excess. The film shows just enough without feeling overly gratuitous

Continue Reading

Just when you thought Phallacies broke the final taboo in art, filmmakers Domiziano Christopharo and Jon Devlin have returned with another horror anthology film, ready to push the boundaries of art with their “back-door” approach to cinema. This time, their gaze is focused solely on the final frontier of the human body in an unflinching,

Continue Reading

Premiering at Grimmfest’s annual horror film festival, Frankie, Maniac Woman (2025), directed and co-written by Pierre Tsigaridis, director of Traumatika (2024), arrives with the promise of a searing indictment of the music industry’s relentless objectification of women, yet ultimately becomes complicit in the very misogyny it purports to critique. Following Frankie (Dina Silva), an aspiring

Continue Reading

Is there a job that’s actually worth dying for? Director Jake Myers takes on the modern grind culture with this darkly humorous body horror about a mind-altering drink that makes employees work themselves to death. Early on in the film, a young woman is seen working overtime at a mysterious office when she gets a

Continue Reading

The manner in which mainstream Bengali cinema sidesteps serious horror, almost as though it were a contagious disease, is a phenomenon deserving scrutiny. Bengali culture, from its expansive literary canon and oral storytelling to its everyday chatter in the 21st century, has never lacked horror elements. It overflows with supernatural entities, some benevolent and absent-minded,

Continue Reading

Ray Spivey is an American Director, screenwriter, and producer, most notable for his work with Allen Danziger on the horror film WeekHacker Massacre (2024). Beginning his career as a writer and co-producer of the 2016 documentary The Last of the Moonlight Towers, Ray would move on to co-direct, co-write, and co-produce the 2019 thriller Writer’s

Continue Reading