Just when you thought Phallacies broke the final taboo in art, filmmakers Domiziano Christopharo and Jon Devlin have returned with another horror anthology film, ready to push the boundaries of art with their “back-door” approach to cinema. This time, their gaze is focused solely on the final frontier of the human body in an unflinching,

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Premiering at Grimmfest’s annual horror film festival, Frankie, Maniac Woman (2025), directed and co-written by Pierre Tsigaridis, director of Traumatika (2024), arrives with the promise of a searing indictment of the music industry’s relentless objectification of women, yet ultimately becomes complicit in the very misogyny it purports to critique. Following Frankie (Dina Silva), an aspiring

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Is there a job that’s actually worth dying for? Director Jake Myers takes on the modern grind culture with this darkly humorous body horror about a mind-altering drink that makes employees work themselves to death. Early on in the film, a young woman is seen working overtime at a mysterious office when she gets a

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The International Film Festival Rotterdam has revealed the second focus program for its upcoming festival, taking place from 29 January to 8 February 2026, marking the 55th year of IFFR. This dedicated showcase will centre on V-Cinema, the Japanese direct-to-video cinema boom that transpired in the late 80s, and has had a memorable impact on

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November 2025: the Italian occult film Mors Omnia Solvit among the new TteroVideo releases Pre-orders are now open on the official TetroVideo and Goredrome websites for three extreme horror films, including Mors Omnia Solvit (2025), the Italian occult film presented by the extreme label together with DarkVeins Records. The new releases also include the German extreme

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The manner in which mainstream Bengali cinema sidesteps serious horror, almost as though it were a contagious disease, is a phenomenon deserving scrutiny. Bengali culture, from its expansive literary canon and oral storytelling to its everyday chatter in the 21st century, has never lacked horror elements. It overflows with supernatural entities, some benevolent and absent-minded,

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Ray Spivey is an American Director, screenwriter, and producer, most notable for his work with Allen Danziger on the horror film WeekHacker Massacre (2024). Beginning his career as a writer and co-producer of the 2016 documentary The Last of the Moonlight Towers, Ray would move on to co-direct, co-write, and co-produce the 2019 thriller Writer’s

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