The “World’s Greatest Paranormal Investigator” returns to the big screen for the fourth time in this American superhero horror film from director Brian Taylor (Crank, Ghost Rider: Spirit of Vengeance), Hellboy: The Crooked Man (2024). Based on the Hellboy: The Crooked Man and Others comic book series by Mike Mignola and marking the second reboot

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Dagr (2024), by director Matthew Butler-Hart and produced by Fizz & Ginger Films, is the perfect found footage film: a labour of love from a small but incredibly talented creative team with a strong concept, Dagr is a film that stays with you long after the final screams. Thea and Louise are obnoxious wannabe internet

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The Woods of Hawthorne, Illinois are Haunted… “I wanted to make a horror movie that toys with your expectations. ‘Hag’ starts as one thing and then morphs into something totally different. There’s a lot of twists and turns, so hopefully our audience has fun with that. This is a film about three women making a

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Dont look away cover

It Doesn’t Breathe…It Doesn’t Move…It Just Kills Don’t Look Away (2023) is the story of Frankie (Kelly Bastard) and her possible descent into madness after she accidentally strikes and kills a truck driver who is fleeing a carjacking on her drive home from campus late at night. After the accident, she sees something unnatural standing

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Rage is a 2020 South African folk horror film, originally released as a Showmax original, directed by Jaco Bouwer. It follows five teenagers who have landed in a small coastal town for a huge rave called Rage. What starts as a drug and booze-filled romp turns into a nightmare-fueled battle for survival as they find

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  After File 01 went off with a bang, Koji Shiraishi’s Senritsu Kaiki File Kowasugi! File 02: Shivering Ghost (2012) tries something different and turns out unexpectedly good. The first episode of the mockumentary series didn’t disappoint in serving Koji’s found footage brands and Japanese myth goodness, showing how his knack for storytelling and genre

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It’s understandable why Japanese filmmakers focus so often on the feudal era in their horror cinema. It’s a setting so naturally horrific in the plight and pain of the peasant class that few supernatural elements are necessary to invoke dread in audiences. The stark reality of daily life alone is enough to make the viewer

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Coming-of-age stories with horror backdrops typically have the upper hand when it comes to bringing a unique vision due to the genre’s ability to tackle topics in ways that other films might not. I hadn’t really thought about it before, but there are quite a number of titles that fall into this category and are

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Mandrake film review

“Probation officer Cathy Madden is given the task of rehabilitating notorious killer ‘Bloody’ Mary Laidlaw back into society after she was imprisoned 20 years earlier for butchering her husband with an axe. Cathy has always believed that every client deserves a shot at redemption, but her beliefs are firmly tested when two children disappear near

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Woodlands Dark and Days Bewitched (2021) cover

Explore the rural roots, occult creeds and cultural lore that continue to shape international cinema. The folk horror genre is as diverse as the countries, cultures, and eras in which is is or has been created, and continues to evolve today. However, there are key fundamentals of folk horror that translate no matter where or

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