Author: Oki Covarrubias
Over the past few years, nostalgia has been a key element behind the drive and continuous success of the horror genre. The surge of remakes, sequels, and the newly coined term “requels” is par for the course at this rate, and even most original projects can’t help but openly reference the works that inspired it.
The term “remake” is often met with blatant vitriol and is usually accompanied by assertions that Hollywood is either running out of ideas or is cashing in on the nostalgia of the audience. But what if Hollywood isn’t the wizard behind the curtain of the remake? What are the opinions when a country outside of
“Strings of gold sway gently in the wind, They play a sweet and gentle melody, At night I walk in the pale moonlight, Together with a dream, A secret dream..” Having spent most of my adolescence hunting down Japanese films at my local video stores and rummaging through endless online forums to discover new titles,
I distinctly remember when it was announced that Takashi Shimizu, one of the most consistent contributors to Japanese horror over the last two decades, was going to direct a film based on the infamous Aokigahara forest. It came as a surprise to those of us who were still waiting on a similar project to come
“Witches don’t die before leaving their legacy.” With the Halloween season upon us, it is inherently fitting for us to start thinking about all the wonderful things that have become synonymous with it; carving pumpkins into jack-o-lanterns, visiting haunted attractions, lighting bonfires, attending costume parties and watching horror films. The latter is not exclusive to
Kevin Kopacka is a name that horror fans around the world will no doubt become very familiar with. After having his latest film, Dawn Breaks Behind the Eyes, screened at this year’s FrightFest UK, we at the Grimoire of Horror became very curious about the man behind the film that we dubbed “a psychedelic Gothic
If you ask a casual movie goer to list some classic horror films, a large majority of them will mention Halloween, Friday the 13th, and The Texas Chainsaw Massacre. One thing that these three films have in common is the fact that they fall into the ardently adored slasher sub-genre. You might even argue that
“Tick … Tock … Tick … Tock…” If you’re old enough to remember, video stores were most often our method of finding films that we might have otherwise never heard of. The myriad of alluring box art meticulously displayed on the shelves of the horror section will always fill me with nostalgic delight. Those were
For years, film festivals have allowed passionate film viewers the ability to enjoy and celebrate the art of film-making from all around the world. In a lot of cases, well-established filmmakers will present their newest flicks at these events, but there are also many instances where unknown creators are given the chance to do the
Back in 2008, Japanese filmmaker Yoshihiro Nishimura made a name for himself in the Extreme Cinema scene with the fervently adored Tokyo Gore Police, a science fiction splatter epic starring none other than Eihi Shiina of Audition fame as a sword-wielding heroine. While this wasn’t Nishimura’s directorial debut, (you can read our review for one