Tag: film review
Take a group of unhappy people, add a ghost, and plenty of bad life advice, and the result may look something like F. C. Rabbath’s 2020 film, The Waiting. Billed as a horror romantic comedy, The Waiting tries to be many things yet masters of none. Eric Brady, a new hotel employee, stumbles upon an
When looking at the origins of sukeban media, the first representation of the genre came in 1967 with Taro Bonten’s Modern Delinquent Girl Stories manga; with the first proper sukeban film, Girl Boss: Broken Justice, not coming later until 1969. That isn’t to say, however, that vestiges of these themes weren’t explored prior to this.
If Ugetsu is what kickstarted the Japanese tradition of Edo Gothic, Kaneto Shindo may have perfected it with Onibaba (1964). It’s a horror film that doesn’t resort to horror, a ghost story with no ghosts. Its evils reside in all too familiar sources: resentment, human nature, and religious hypocrisy, all woven seamlessly through its narrative
Koji Shiraishi proves his sincerity and devotion to the found footage subgenre in his 2012 low-budget mockumentary Senritsu Kaiki File Kowasugi! File 01 – Operation Capture the Slit-Mouthed Woman. While it’s beyond question that Shiraishi has made an indelible impression on the horror subgenre with his immortal Noroi: The Curse (2005), his undermined respect for
Christmas Bloody Christmas is an over-the-top slay ride of holiday cheer fear! Writer and director Joe Begos (VFW, Bliss) always delivers a combination of good storytelling and delirious, gory violence to audiences. Digging deep into genres like horror, science fiction, and heavy metal music, each one of his films is unique in content. Viewers can
La Petite Mort is a 2009 German splatter horror film, written and directed by Marcel Walz with additional writing from Martin Hentschel, who both worked on the film’s sequel, La Petite Mort II (2014). With a large filmography, Marcel Walz is most notable for the 2016 remake of Herschell Gordon Lewis’s classic 60s gore film
The Last Horror Movie is a 2003 British found footage horror mockumentary, written by James Handel and directed by Julian Richards. Beginning his career with the award-winning shorts Pirates (1987), Queen Sacrifice (1988), and Bad Company (1992); Julian later moved on to feature-length productions such as Darklands (1996) and Daddies Girl (2018) to name a
There’s A New Christmas Monster in Town… And He Wants Your Nuts Every December, fans of shlock gather around their televisions and tune in to Tubi, scrolling excitedly through a new lineup of holiday-themed horror flicks that promise to tickle their funny bones and fulfill their need to watch Christmas get butchered. It’s not that
Having just landed on Shudder UK, The Final Wish (2018) is director Timothy Woodward Jr’s third film and boasts a story from Jeffery Reddick, writer of the first two Final Destination films; a fact that is emblazoned across the film’s trailer. Micheal Welch plays Aaron, a young law graduate who’s failing to make a living
Aspiring millennials and their first-world problems are inherently absurd, particularly when their bourgeois existence is challenged, or at least that’s what Who Invited Them relies upon as it attempts to mix comedy and horror in the affluent L.A hills. Writer/director Duncan Birmingham’s first full-length feature was shown during the 2022 FrightFest, arriving on Shudder shortly