Author: Paul Wooldridge
“I came out early, I couldn’t take it”“I hated it”“I loved it and won’t have a word said against it!”– Quotes overheard in the foyer, after having seen Skinamarink. Written and directed by Kyle Edward Ball and shot on a micro-budget at his childhood Canadian home, Skinamarink (2022) is inspired by a childhood nightmare. Pirated,
Having just landed on Shudder UK, The Final Wish (2018) is director Timothy Woodward Jr’s third film and boasts a story from Jeffery Reddick, writer of the first two Final Destination films; a fact that is emblazoned across the film’s trailer. Micheal Welch plays Aaron, a young law graduate who’s failing to make a living
Aspiring millennials and their first-world problems are inherently absurd, particularly when their bourgeois existence is challenged, or at least that’s what Who Invited Them relies upon as it attempts to mix comedy and horror in the affluent L.A hills. Writer/director Duncan Birmingham’s first full-length feature was shown during the 2022 FrightFest, arriving on Shudder shortly
Following an Italian family vacation, Danish trio Bjorn (Morten Burian), Louise (Sidsel Siem Koch), and their young daughter take up an invitation to visit the Netherlands, at the behest of a Dutch family whom they met while abroad. Initially wary, questioning the awkwardness of visiting a family with whom they have only the briefest of
Inspired by a music video, and the estrangement from her own family, J Arcane teamed up with Paul Erskine to direct The Razing, a 2022 film that documents a questionable tradition which brings four estranged school friends back together for a night simmering with resentment and unresolved trauma. The dinner party is set predominantly in
Funny Games begins with an idealised, upper-middle-class family, driving through lush green woodland, beside sun-baked lakes, and playing “guess the classical composer” on the car’s audio system. The mild serenity of Handel and Mozart is then smashed by the movie’s title, appearing in huge red letters across the screen, accompanied by the most stygian piece
Offseason opens with grainy, nostalgic footage of beach holidays, set to a fairy tale musical score, before cutting sharply to a grey, desolate coastal shot, where cold waters meet unwelcoming sands beneath a vast, indifferent sky. The grim, weather-beaten island setting is its main strength, as the films protagonists explore the eerily empty town, against
Moloch, the 2022 Dutch folk horror, arrived on Shudder early this month. The second feature directed by Nico Van Den Bink stars Sallie Harmsen, alongside Alexandre Willaume, and follows Betriek, a widowed mother, as she returns with her daughter to her elderly parents’ isolated cottage. Situated within the woods, on the edge of a large
Andre Overdal’s follow-up to his breakout found footage Scandinavian romp, Troll Hunter (2010), is a quintessential hidden gem. Not overly lauded on its release in the mid-2010s, The Autopsy of Jane Doe can now be discovered on Amazon. This taut little horror packs its 86 minutes with layered storytelling reminiscent of a Stephen King short