The debut feature film from Peruvian director Gonzalo Otero sees four Americans heading to a remote mining area. Coaxed into going by Sarah (Sydney Amanuel) for her ecological documentary, the four soon find themselves stuck in a loop at the mine site, with bizarre totems, creatures, and distorted people coming after them. Unable to leave,

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Poster for Zebra Hooves

David M. Dawson has become a regular face at the Unnamed Footage Festival, with his previous titles Leech and Flesh Game previously screened. Dawson is a difficult creator to pin down, with each of his works offering a slow-burn up to an explosive finish; yet it is always the personas and themes he tackles leading

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Being a fan of both the original Japanese Guinea Pig series and Stephen Biro’s American Guinea Pig series, I was excited to hear the announcement that the latest instalment of the long-running franchise would be one of the most graphic entries released so far. And directors Stephen and Eric certainly weren’t exaggerating when they announced

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Alan at Night Poster Art

Alan at Night marks the debut feature film from Jesse Swenson, a pseudo-documentary about two aspiring prank YouTubers, Jay (Joseph Basquill) and Camillo (Jorge Felipe Guevara). The movie centers around a life change, where Jay finds himself needing a new roommate after his friend loses his job and has to move out. Putting out a

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Fifteen years after leaving Corsica, Marie and Daniel return to visit their elderly grandfather. Looking to capture their reunion, they pick up the family camcorder, but what they uncover is far from what they expected. Heritage marks the feature film debut of director B.A. Croce, and it is billed as Corsica’s first found footage film.

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Frogman Returns film review

Stop right here! Before you dive into this review and find out how phenomenal Frogman Returns is, it is essential that you watch Frogman (2023) first, which is easy to find on streaming services. This is essential, as the film heavily builds on the lore of the first while taking a slight deviation into even

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The feature-length debut from director Nicholas Pineda, Infirmary (2026), is a found footage horror film set in a decaying hospital/asylum with a dark past. Here, a young security guard, Edward (Paul Syre), is working his first shift at the Wilshire Infirmary under the guidance of veteran guard and ex-cop Lester (Mark Anthony Williams). A break-in

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U.V.F: Underground Video Films is a 2026 extreme found footage horror anthology comprising shorts directed by João Augusto De Nardo (Tenebre Radio, Corrupted Pleasure, Presenter Interludes, Room 44, Tenebre Video Store, Channel 6 Commercial), Jill Gevargizian (Call Girl), Peter Hatch (Cereal Man), Lampros Kordolaimis (Rotting Love), Simon Spachmann (SWAT Raid), Phil Stevens (GOTT IST GUT

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The Killing Cell falls into familiar tropes and beats of the found-footage genre. Notably, the plot sees a group of friends/paranormal investigators head to an abandoned facility, only to find themselves targeted by an evil force. However, filmmakers James Bessey and Karsen Schovajsa realize the truth that any fan of creepy urban-ex videos will tell

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*I feel the need to add to this article the fact that I was engaged as a freelance contributor to the film’s post-production team, specifically responsible for creating the end credits. While this does make me part of the film’s crew, this fact has not influenced my thoughts on the film in any way.* Human

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