Writer/director and the founder and artistic director of monochrom, Johannes Grenzfurthner is one of the most unique voices in cinema today. We were lucky enough to catch both Masking Threshold and Razzennest on the festival circuit, and it was off of his recent showing of Razzennest at the 2022 Fantastic Fest line-up that we were

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Give Me Pity

“Ever try to lose yourself? No! Because you’re too busy trying to find yourself.”      -Sissy St. Claire Subversive feminist filmmaker Amanda Kramer returned to this year’s Fantastic Fest with a bizarre journey into the dark soul of one woman’s struggle for identity.  Visually astounding, GIVE ME PITY! takes the form of a prime-time,

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After his beloved wife suddenly commits suicide, octogenarian Manuel (Zorion Eguileor) starts behaving strangely and is soon taken into the care of his son, his wife, and their daughter in hopes of adjusting to the loss. However, Manuel becomes more erratic in his behavior and starts to show an odd obsession with signals coming from

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Farley Wilder is the local peeping tom in a small New Hampshire town, where his reputation has earned him the interest of a writer, Scarlett, and together the two begin to stalk around town checking out the local inhabitants and making notes. However, there is one area of the city that is off limits, one

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A police raid uncovers a mysterious figure who refers to himself as ‘The Traveler’ (played by Efren Ramirez), and as the sole survivor of a massacre, he is brought in for questioning. As the night goes on, he warns the detectives of an impending threat headed for the police station, coming to stake their claim

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Santiago Mendoza (Harold Torres) is a successful tabloid crime photographer in Mexico City, who has developed a hard exterior in order to deal with the extreme violence he photographs. One night, Santiago intercepts an emergency call and while taking photos of a man consumed by rats, an accidental photo captures a sinister figure. A mysterious

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Bad City Review

V-cinema icon Hitoshi Ozawa, who has been a regular fixture in the films of Takashi Miike, plays grizzled detective Torada who has just been released from prison in order to head an investigation into a corrupt businessman turned politician, Gojo. With his small team,  Torada cracks down on Gojo and the Korean gang executing the

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The Offering

Jewish-themed horror movies are ‌rare but this year’s Fantastic Fest features at least two films that explore the rich and fantastic pantheon of Jewish folklore and the role of kabbalah, the intense study of mysticism, and the occult by Jewish scholars. Director Oliver Park and screenwriter Hank Hoffman delve into complex, familial themes of grief,

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“South African enfant terrible filmmaker and artiste-cineaste Manus Oosthuizen meets with Rotten Tomatoes-approved indie film critic Babette Cruickshank in an Echo Park sound studio. With key members of Manus’s crew joining, they record an audio commentary track for his new elegiac feature documentary “Razzennest.” But the session goes down a different path. The ultimate elevation

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“A flock of sea eagles attack the coastal town of Santa Cruz, California. Why did the birds attack? Who will survive?” The Birdemic series has been a guilty pleasure of mine, having stumbled on the first one slightly before it gained notoriety as one of the ‘best’ worst films ever made. I watched it more

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