
Mushrooms, originally known as Grzyby, is a Polish 2023 mystery thriller, written and directed by Paweł Borowski. Beginning his directorial career with the short animated comedy Love Gamestation (2001), Paweł continued to write and direct the short film Kocham cie (2003), as well as the feature-length titles Zero (2009), and I Am Lying Now (2019).
While foraging for mushrooms and berries in the forest, an old lady stumbles upon a young couple who have gotten lost. They beg her to help them escape the woods, but the old lady quickly senses that something isn’t right with the couple…

Whilst discussing Mushrooms’ plot in detail would taint the entire experience, it is safe to say that this enigmatic narrative full of sly twists and turns keeps the audience oblivious of its intentions until the end of the third with a climax that is as poignant as it is powerful. Furthermore, a level of ambiguity is instilled into what period the film is set, with characters not mentioning modern technology, set entirely in an ancient forest, and characters wearing traditional clothing from an era long gone (although this is explained away to some extent). It is nearly impossible to pinpoint an exact time as to when the events occurred—further adding to the mysterious atmosphere.
An incredibly competent display of cinematography, Mushrooms fluently bestows a stunning visual design. Taking place solely in an enchantingly beautiful, ancient forest, the stunning scenery alludes to a fairytale-esc environment—brimming with highly saturated colours and golden sunlight breaching through the tree canopy. Additionally, The sweeping, low-angle pans undoubtedly aid in exacerbating the size of this mythical forest tenfold, causing this already large forest to transform into an inescapable maze of flora.

However, despite this visual beauty, the film provides a highly sinister undertone flawlessly connotated by an impeccable score. Indeed, the soundtrack of Mushrooms performs a staggering amount of heavy lifting regarding the film’s atmosphere. Seemingly benign scenes are accompanied by a foreboding sense of dread, yet it is unclear as to the true origins of this apprehension.
Alluring yet Mysterious, Mushrooms (2023) is an impeccably engrossing tale full of subtle convolution. With stunning performances from the minuscule cast, impressive visual and sound design, and a disturbingly unexpected twist, I was physically left mouth agape long into the rolling credits at its staggering intensity. While the film’s beginning can be unhurried at points, its kinetic conclusion more than makes up for its sluggish start.

We watched Mushrooms (2023) at Fantastic Fest 2023

More Film Festival Coverage
Recently, the “adventure survival” thriller has seen a sizeable spike in popularity. Gone are the nastiness, the unbearable tension, the relentless bad luck and shaking-in-their-boots protagonists of survival classics like… Warning to those with mycophobia – this is not the film for you. Gaia is a South African ecological horror film, full of mushroom monsters, skin-crawling body horror and raving… Alan at Night marks the debut feature film from Jesse Swenson, a pseudo-documentary about two aspiring prank YouTubers, Jay (Joseph Basquill) and Camillo (Jorge Felipe Guevara). The movie centers around… A film about the intersection of sexuality with food might initially feel like a pretty out-there pitch. However, anyone casually considering the topic will find that the concepts of hunger… The found footage film subgenre still has it. I never knew a FF film could be as profound as it is scary, given that its restricted legroom can only do… If you think you have seen all the found footage films out there, you are wrong. Sometimes, these films can get quite monotonous due to the repetitive use of cameras….Fall (2022) Film Review – It’s Lonely at the Top
Gaia (2021) Film Review: God is Real, and She’s a Fungus
Alan at Night (2025) Film Review – There’s Just Something About Alan – Unnamed Footage Festival
Sexual Drive (2021) Film Review – Exploring the Eroticism of Food
The Outwaters (2022) Film Review – Is Humanity Pointless After All?
Nias (2024) Film Review – Let’s Waste Time, Chasing Cats! [Unnamed Footage Festival 7]

Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.