perfect blue book

Paraphrasing the words of a certain author, it is a truth universally acknowledged that a book will be almost always better than its movie adaptation. Yes, almost always because, despite the clear propensity of the written source being much more interesting and developed, sometimes flukes happen and the movie is indeed superior. That is why

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It’s understandable why Japanese filmmakers focus so often on the feudal era in their horror cinema. It’s a setting so naturally horrific in the plight and pain of the peasant class that few supernatural elements are necessary to invoke dread in audiences. The stark reality of daily life alone is enough to make the viewer

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It has now been 24 hours since I watched Pulse (2001), and I still find myself at a loss. It was a movie that I desperately wanted to enjoy, a cardinal sin for a reviewer who should go in with a blank slate and little expectations. The weight of preconceived notions can hang about the

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Hey, gang! Dustin here again with another round of Recent Reads. This one, admittedly, comes in late so it’s not that recent. But, hey, the year is almost over and I’d definitely be remiss if I didn’t share my thoughts on these with you so here we go! We got The Year of the Witching by Alexis Henderson to

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Saiko no Sutoka (Hepburn: Psycho Stalker) is a survival horror game created by independent Indonesian developer Habupain for PC. The story follows a teenage schoolboy named Akira as he finds himself trapped inside his school with his recent ex-girlfriend—a murderous yandere girl named Saiko-chan—as she tries to apprehend and kill the player. The main objective

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If Ugetsu is what kickstarted the Japanese tradition of Edo Gothic, Kaneto Shindo may have perfected it with Onibaba (1964). It’s a horror film that doesn’t resort to horror, a ghost story with no ghosts. Its evils reside in all too familiar sources: resentment, human nature, and religious hypocrisy, all woven seamlessly through its narrative

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People who fear centipedes or those with Scolopendrphobia or Chilopodophobia should better steer away from this latest Thai monster flick… unless they want to get nightmares for days. But for those looking for some harmless thrills, then this new creature feature is worth checking out. Penned and directed by Chalit Krileadmongkon and Pakphum Wongjinda, this

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New Religion 2022 FrightFest

New Religion is a 2022 Japanese surrealist horror, written and directed by Keishi Kondo in his feature-length debut. Kenshi is also known as the writer/director/cinematographer behind the drama short See You Again (2020). “After her daughter’s death, divorced Miyabi works as a call-girl. One day, she meets a strange customer who wants to photograph her

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Veteran fans of Japanese horror are familiar with the name Takashi Shimizu, there’s no doubt about it. Having gained attention from horror fans all around the world with his Ju-On franchise, Shimizu-san has been a continuous contributor to the genre with varying reception from his audience. Admittedly, I haven’t been a good audience for some

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Even though the Asian horror movie craze is not as potent as it was back in the early 2000s, new titles have managed to make their way overseas and have often been met with impressive reception. Netflix, which has become a household staple at this point, even found recent success with Squid Game, a Korean

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