Asian Film
When looking at the origins of sukeban media, the first representation of the genre came in 1967 with Taro Bonten’s Modern Delinquent Girl Stories manga; with the first proper sukeban film, Girl Boss: Broken Justice, not coming later until 1969. That isn’t to say, however, that vestiges of these themes weren’t explored prior to this.
If Ugetsu is what kickstarted the Japanese tradition of Edo Gothic, Kaneto Shindo may have perfected it with Onibaba (1964). It’s a horror film that doesn’t resort to horror, a ghost story with no ghosts. Its evils reside in all too familiar sources: resentment, human nature, and religious hypocrisy, all woven seamlessly through its narrative
Compared to the last few years of veritable stagnation in the film industry, this current year has a considerable treasure trove for film fans around the world. Boasting some of the most unique and original ideas to be released in years, the industry looks to be back in full swing after suffering from severe difficulties
Koji Shiraishi proves his sincerity and devotion to the found footage subgenre in his 2012 low-budget mockumentary Senritsu Kaiki File Kowasugi! File 01 – Operation Capture the Slit-Mouthed Woman. While it’s beyond question that Shiraishi has made an indelible impression on the horror subgenre with his immortal Noroi: The Curse (2005), his undermined respect for
Due to the oversaturation of the genre, you are bound to come across many zombie films you know nothing about beyond containing some form of undead. Sadly, these entries in the genre are often marked by a mundanity or a quick turn of the buck (much like ‘shark’ films) where creativity and ingenuity seem absent.
People who fear centipedes or those with Scolopendrphobia or Chilopodophobia should better steer away from this latest Thai monster flick… unless they want to get nightmares for days. But for those looking for some harmless thrills, then this new creature feature is worth checking out. Penned and directed by Chalit Krileadmongkon and Pakphum Wongjinda, this
When it comes to the cinematic phenomenon that was pinky violence, one of the key attractions was its stars: Reiko Ike, Miki Sugimoto, Reiko Oshida, and Meiko Kaji to name a few. Rocketing to the heights of pop culture icons, the media couldn’t get enough of these glamorous women, with at least one of them
Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei were struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969
Day Zero is a 2022 Filipino zombie action horror, written by Ays De Guzman and directed by Joey De Guzman. Both are fairly active in Filipino cinema, Ays has spent a decade writing for long-running TV shows such as May bukas pa as well as screenwriting a number of feature-length films, on the other hand,
V-cinema icon Hitoshi Ozawa, who has been a regular fixture in the films of Takashi Miike, plays grizzled detective Torada who has just been released from prison in order to head an investigation into a corrupt businessman turned politician, Gojo. With his small team, Torada cracks down on Gojo and the Korean gang executing the