Tag: film review
The feature-length debut from director Nicholas Pineda, Infirmary (2026), is a found footage horror film set in a decaying hospital/asylum with a dark past. Here, a young security guard, Edward (Paul Syre), is working his first shift at the Wilshire Infirmary under the guidance of veteran guard and ex-cop Lester (Mark Anthony Williams). A break-in
U.V.F: Underground Video Films is a 2026 extreme found footage horror anthology comprising shorts directed by João Augusto De Nardo (Tenebre Radio, Corrupted Pleasure, Presenter Interludes, Room 44, Tenebre Video Store, Channel 6 Commercial), Jill Gevargizian (Call Girl), Peter Hatch (Cereal Man), Lampros Kordolaimis (Rotting Love), Simon Spachmann (SWAT Raid), Phil Stevens (GOTT IST GUT
The Hanged Man is a 2025 American horror film written and directed by Korab Uka. A doorman is unexpectedly invited to a dinner at the secluded estate of one of the wealthy families he serves. But as the evening unfolds, he begins to suspect that the invitation wasn’t just an act of kindness. On a
Perhaps you’re looking for something different in a horror film, tired of jump scares and remakes. Perhaps you’re passionate about obscure cinema, revelling in the discovery of something unexpected. Or perhaps you enjoy a bit of history sprinkled in your movies, learning about culture or folklore while being entertained. My choice for today can fill
It’s that time of year again, when we take a look back at some of our favourite releases over the last 12 months. While 2025 has been a challenging year, with many ups and downs in multiple aspects of life, there have been some fantastic films released over the course of 2025. From slapstick comedy
Presented by White Gardinia and Jean Rises, XXX Darknet: Red Lips is a 2026 extreme horror anthology comprising shorts directed by Cory DeAn Cowley, Jean Rises, Simon Spachmann, Tibor Astor, Nuvis Martin, and Slade Wilson. It is the third instalment in the anthology series, following XXX Deep Web (2018) and XXX Dark Web (2019), all
To start, this is indeed an indirect sequel to 2020’s Stigmatized Properties, directed by none other than J-horror icon Hideo Nakata (Ringu, Dark Water). I’ve said and written this numerous times before: Nakata-san’s films have been hit or miss for me after The Complex (2013)—which I thoroughly enjoyed—with more misses than hits. The first Stigmatized
The Killing Cell falls into familiar tropes and beats of the found-footage genre. Notably, the plot sees a group of friends/paranormal investigators head to an abandoned facility, only to find themselves targeted by an evil force. However, filmmakers James Bessey and Karsen Schovajsa realize the truth that any fan of creepy urban-ex videos will tell
Buffet Libre marks the third feature film from actor/director Zoe Berriatúa, and his first dive into more macabre subject matter. Here, the story follows an older Chinese couple, Xian (Yan Huang) and Ikki, whose restaurant, located in a Spanish mall, is threatened by bankruptcy. After the accidental death of a debt collector leads to the
We meet Elena, a “gajin” with a British father and Japanese mother, at her lowest, in a hospital bed after an implied attempt at taking her own life, or self-harm to the point of hospitalization. This incident acts as a catalyst to send her to a new school, where, while she still feels the prejudice