DAGON FILMS — THE LAST BREATH OF TRUE UNDERGROUND CINEMA
The underground used to mean something. It was not about shock for shock’s sake, or about easy clicks and fake fame. Today, the indie field is drowning in imitation — “extreme” films without a soul, short movies pretending to be arthouse, labels chasing algorithms instead of passion.
Everyone is trying to look cool, streaming platforms sanding off every rough edge. DAGON FILMS was born to fight that. We stand for real underground cinema — dangerous, personal, handcrafted. Our editions are truly limited, numbered by hand, signed, and sealed for collectors who still care.
After Phallacies and Analogies, we’ve earned the trust of fans and critics who can smell honesty through the noise. We champion filmmakers with vision, not those chasing trends. DAGON FILMS is not mainstream. Not safe. Not for everyone. And that’s exactly why it exists.
You can check out the titles available at Dagon Films here.
More Film Reviews
Upurga, Latvian director Ugis Olte’s first narrative full-length feature, skillfully blends elements from half a dozen iconic genre movies of the past decade. However, thanks to great writing, an ear… Offseason opens with grainy, nostalgic footage of beach holidays, set to a fairy tale musical score, before cutting sharply to a grey, desolate coastal shot, where cold waters meet unwelcoming… Sparked by the death of her partner Noah, Lilith is struggling with her mental health and has succumbed to a deep depression that affects all aspects of her life. Fighting… Stanleyville (2021) has a simple premise: five contestants compete in a contest to win a brand-new habanero-orange compact SUV. Maria joins hoping for a chance at transcendence, but the other… The modern age of cinema is a wonderful thing, for all of the collective conscience cooing for anything nostalgia soaked we are lucky to have access to film from around… TikTok dances emanate eerily around you, a cacophony of booming cackles emit from influencers as they forcefully push their latest merch (that was most likely made in some far-off, exploitative…
Upurga (2022) Film Review – Nature Can Kill You
Offseason (2022) Film Review: Wish We Weren’t Here
The Awakening of Lilith (2021) Film Review – The Excruciating Weight of Loss
Stanleyville (2021) Film Review: Is the Car Really Worth It?
Roh (2019) Film Review – A Malaysian Horror in The Jungle
#Chadgetstheaxe (2022) Film Review – Cancel Culture Gone Awry (Unnamed Footage Festival 666)
Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.