Tag: Asian Horror
Junji Itō is easily the most prolific horror mangaka in English translation. Viz Media has made a concerted effort to bring as much of his work to the west as possible, with Kodansha and Vertical Comics licensing the few titles Viz missed. There is certainly a valid argument to be made that the popularity of
It’s that time of year again when it’s dark at 2 pm and colourful lights and Christmas music assault the senses. But fear not, as we have a list of films to keep you warm and cozy at home but still celebrate the holiday spirit with some spooky Christmas-themed horror movies from around the world.
Being one of the most attributed inspirations in filmmaking, filmmakers around the world have cited The Evil Dead series as a motivation to create cinema for themselves. The mastery of the low-budget filmmaking process, which led to various highly esteemed horror films, still hold its own to this day in the horror genre – ingenuity
Warning: Do Not Play is a South-Korean horror that can proudly stand among the great Asian movies from this decade with a focus on filmmaking, ‘One Cut Of The Dead‘ and ‘The Kirishima Thing‘ among them. It is essentially a ghost story spanning decades which doubles as a cursed-object movie featuring frequently disturbing imagery – mostly
It’s Halloween and I therefore decided to do a recap of horror-related tropes or subgenres in Japanese entertainment! An obvious choice, taking up a fair amount of the genre landscape, are slashers – something much less associated to Japanese cinema. Now, clearly, Japan has no shortage of iconic slasher movies: …However, as my core interest
Though you won’t see him appear in the cinematic universe anytime soon, many may not be aware that Dracula is a Marvel character. Being the star of his own comic book series developed by the comic behemoth, Tomb Of Dracula in the early 1970s, the comic is where the character of Blade made his debut
Ivy, played by Brigitte Lin Ching-Hsia, is a Taiwanese student living in San Francisco. She shares a dormitory with other students of her diaspora. The pupils consume most of their American life in gossip, anecdotes, and leisure. For Ivy, who appears to be a relatively serious character, chattering is secondary to spending time with pals
Being a subjective genre, horror, much like its fans, is incredibly varied compared to other genres in film. From solid scares, slow-burning tension or just a general spooky atmosphere, there are a lot of things that can be grouped together under the horror umbrella. But, for those that require something a little more unyielding in
Considering the renowned success of Parasite (2019), among many others, South Korean cinema has finally started to receive a recognition outside of Asia that has been mostly reserved for Japanese cinema. The high calibre productions released throughout South Korea recently have flown under the radar of most moviegoers in the West, barring a few exception
Discussions on snuff films will always include the controversial Japanese horror series Guinea Pig, which garnered a cult trailing that even prompted an FBI investigation after its release. However, other horror films occupying the same premise are either overlooked or unseen due to lack of audience regard or distribution. One of them is Kim Jin-won’s