Asian Film
Science fiction, often preoccupied with technology and artificial beings, can sometimes seem overly intricate, neglecting the mundane facets of life. However, this stereotype is not only unfair but also doesn’t hold true for Junta Yamaguchi’s body of work. From his debut feature, Beyond the Infinite Two Minutes (2020) Yamaguchi has masterfully blended the time travel
The Ghost Station is a 2022 South Korean horror thriller, written and directed by Yong-ki Jeong, with additional writing from Soyoung Lee, c, and Koji Shiraishi. Takahashi and Shiraishi are incredibly well-known in Japanese cinema, working on such horror classics as Ringu (1998) and Noroi (2005) respectively. On the other hand, Yong-ki Jeong has worked
One of my current hobbies is searching thrift stores for weird, interesting, or hard-to-find DVDs. With streaming networks dominating the distribution channels, and more and more media disappearing from these networks before ever seeing a hard copy release, I feel somewhat like an archivist hunting for treasure. Albeit, this treasure is not found in majestical
With the turn of a new decade, new opportunities were sought by film studio Daiei. In 1970, Daiei on the verge of bankruptcy, entered into a partnership with fellow struggling studio Nikkatsu, forming Dainichi Eihai. By pooling their resources, the aim was to fight against Toei’s market dominance: by the 1970s Toei had perfected their
Death Powder is a 1986 Japanese cyberpunk body horror film, written and directed by Shigeru Izumiya. Izumiya is mostly known as a poet/folk singer with a career spanning from the 1970s that is still ongoing, with a huge discography of dozens of albums. Outside of music, Izumiya is a prolific actor who has over 150
Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei was struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969
We’re back with another Koji Shiraishi review, and we will be continuing our deep dive into his underrated film series, the Senritsu Kaika Files! And if you think you have seen it all from the past three installments of this series, think again. Because what lies ahead is a cinematic experience that will blindside you
The Sound of Summer (2022) is a disturbing and suffocating Japanese body horror, written and directed by the UK-born creator Guy (Guy Pearce). Although this film is his debut feature-length film, he already has made a name for himself by writing and directing a number of shorts such as The Rope Maiden (2013), Difficulty Breathing
Indonesian horror has been receiving some attention in recent years, mostly thanks to some pretty good entries from the country. So it is not surprising that the said country’s highest-grossing local film is from the horror genre. KKN di Desa Penari currently holds the title of the highest-grossing film in Indonesian history. Sadly, the film’s
Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei was struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969