Tag: Asian Horror
Discussions on snuff films will always include the controversial Japanese horror series Guinea Pig, which garnered a cult trailing that even prompted an FBI investigation after its release. However, other horror films occupying the same premise are either overlooked or unseen due to lack of audience regard or distribution. One of them is Kim Jin-won’s
Over the years of watching cinema, we have all experienced something so shocking, so horrifying that it has stuck with us long after the fact, permanently burnt into our memories. Whether it was a scary movie seen at far too young of an age or something so visually intense that was mentally overwhelming, we have
One of the biggest highlights of the Japan Film Fest Hamburg rests within the diverse selection of short films. For the audience, this means getting the chance to see original shorts seldom screened outside of Japan and unlikely to ever release in the West. The fest embracing multiple genres, too, ensures a varied experience. This
One of the more unique entries in this years Japan Film Fest Hamburg (JFFH), A Beast in Love (2020) is the latest film from the mind of Koji Shiraishi. Prolific in horror, having explored a multitude of sub-genres throughout the years, Koji Shiraishi is most known for his entries into ‘mocumentary horrors’ such as Noroi
Konnichiwa! Dia Duit! Yo Yo Yo! Straight Outta Kanto here welcoming you all aboard the Nostalgia Train. I’ve said it before and I’ll say it again, the early noughties was, and always will be, the Golden Age of Asian Horror. One of the finest heavyweights of the genre that has truly stood the test of
For a long period, I have found myself drawn to extreme cinema. The unapologetic approach to subject matters proscribed in mainstream media has always been more alluring to my cinematic tastes. From Japanese Pinku Eiga to French New Wave, I have tried to explore as much of the genre as possible and, moreover, have seen
Considering the popularity of monster movies being rekindled by Godzilla Versus Kong (2021), the newest entry into the ‘MonsterVerse’, the classic approach to this genre may be coming into a new golden era. With my love of these films spanning multiple regions and eras, I am always interested in new titles that are unabashed in
For the length of time that zombie movies have been a part of horror, it is only natural that the subgenre would eventually go stale, occasionally requiring a total re-evaluation of the creature design to breathe new life into the genre. As with classics such as White Zombie (1932) becoming obsolete after George A. Romero
With the Japanese and Korean booms in horror overshadowing other nations regionally, we don’t tend to see as many other Asian cultures represented often. The Heirloom is a Taiwanese flick from 2005 that will help flesh out any aficionado’s repertoire. In the Yang household, there is a sole survivor from the mass murder two decades
A young daughter, around four years old, watches a pop idol group cheerfully perform on tv with her father. Meanwhile in the kitchen, we see her mother dutifully preparing dinner, chopping up vegetables. The upbeat song audio continues as the daughter goes to check on dinner and ask her mother a question. The mom continues