Tag: South Korean Horror
The Human Trap, a 2021 film by director Lee Moon-young, is a bizarre South Korean indie horror movie that teaches us to trust no one and always look out for traps. While it starts with the fairly generic premise of a group of twenty-somethings going camping in the middle of nowhere, it takes the audience
The Ghost Station is a 2022 South Korean horror thriller, written and directed by Yong-ki Jeong, with additional writing from Soyoung Lee, c, and Koji Shiraishi. Takahashi and Shiraishi are incredibly well-known in Japanese cinema, working on such horror classics as Ringu (1998) and Noroi (2005) respectively. On the other hand, Yong-ki Jeong has worked
Techno-horror is a fertile subgenre. Since technology constantly evolves, so must our relationship to it. Our increasingly teach-reliant existence offers countless angles from which to tackle what are, essentially, cautionary tales. From Frankenstein’s nervous awe towards the Godlike power of electricity, all the way to computer-screen horrors like Unfriended and Host, there is little ground
Netflix’s Korean TV selection is continuously demonstrating tremendous choice and that’s most evident from the intense zombie uprising of All of Us Are Dead – following the success of other South Korean zombie media such as Kingdom and Alive. Subgenre fatigue with yet another use of the “Z” word is completely subverted by a worthwhile
In the summer of 2009, a Korean blogger claimed to have seen a strange creature near Jangsan, a mountain in Busan. The following year, the creature was spotted again. As of March 2013, there had been 14 recorded sightings, six of which put the creature at Jangsan. Described as having a sloth-like shape and long
Warning: Do Not Play is a South-Korean horror that can proudly stand among the great Asian movies from this decade with a focus on filmmaking, ‘One Cut Of The Dead‘ and ‘The Kirishima Thing‘ among them. It is essentially a ghost story spanning decades which doubles as a cursed-object movie featuring frequently disturbing imagery – mostly
Considering the renowned success of Parasite (2019), among many others, South Korean cinema has finally started to receive a recognition outside of Asia that has been mostly reserved for Japanese cinema. The high calibre productions released throughout South Korea recently have flown under the radar of most moviegoers in the West, barring a few exception
Konnichiwa! Dia Duit! Yo Yo Yo! Straight Outta Kanto here welcoming you all aboard the Nostalgia Train. I’ve said it before and I’ll say it again, the early noughties was, and always will be, the Golden Age of Asian Horror. One of the finest heavyweights of the genre that has truly stood the test of