When a journalist has the breaking story of a lifetime, he discovers all is not well. Not only is there the looming threat of powerful people who may squash him like a bug, but he has also become stuck and unable to leave his bed under supernatural force. No amount of struggle seems to matter

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Seth A. Smith’s Tin Can is a confinement horror with staying power, managing to walk the audience through no less than seven different subgenres, and delight them with delirious imagery, and a dazzling series of twists. One of the most ambitious and thought-provoking movies of the year, watching Tin Can feels like binging the latest

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