And you thought your family was bad. Daniel Powell (Joel David Moore) is a sweet, gentle aspiring chef who has just become engaged to his lovely girlfriend Emily (Chantel Riley). All he wants now is to get his estranged family together in one place to introduce Emily and invite them to the wedding, but there’s

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Techno-horror is a fertile subgenre. Since technology constantly evolves, so must our relationship to it. Our increasingly teach-reliant existence offers countless angles from which to tackle what are, essentially, cautionary tales. From Frankenstein’s nervous awe towards the Godlike power of electricity, all the way to computer-screen horrors like Unfriended and Host, there is little ground

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White Noise 2022

  Life is a Train Wreck In the final days of 2022, most of us were looking toward 2023 with hearts full of hope, and faith that the moment those glittery balls dropped around the world, we would finally be free of the hellscape our lives have become. The new year couldn’t possibly be as

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After the tragic loss of his mother, Oliver is threatened with state custody unless he can find a new family. And so Oliver does just that… by digging one up at the local cemetery. He must now convince the social workers that he has found the perfect family – who just happen to be decomposing…

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Exclusive Interview with Emily Hagins, Sorry About the Demon (2022) Shudder and Paper Street Pictures have teamed up with writer/director Emily Hagins again in Sorry About the Demon (2022), a comedy horror about a 27-year-old “loser” with a broken heart who is not afraid of things that go bump in the night. With some over-the-top

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Horror Comedy Levels

 Comedy Horror From the Bottom Shelf Horror Comedy is the beloved sub-genre that brings to mind everything from self-aware zombies to murderous inanimate objects, and the volume of films in the category is substantial. From big-budget blockbusters to movies you’d swear were filmed using an old 80s elementary school AV cart, the popularity of horror-comedy

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Ghostbusters Afterlife banner

IN THE BEGINNING In 1984, Ghostbusters was the first film I was allowed to see in the theatre without my mother. My friends and I sat close to the screen, not yet understanding the nuances of seat selection in a large cinema, and craned our necks in awe. It was the first comedy blockbuster in

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When I finished watching Dave Made a Maze (2017) last year, I was in awe. (Read my review of the movie here.) So few movies involve this level of creativity and thought, which may be a strange thing to say, but I challenge you to argue the point after watching it. It’s listed as a

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