Glasshouse Film Review

Post-apocalyptic films after a pandemic certainly seem poised to hit their stride, with the horror genre acting as a cathartic release from modern day anxieties. Enter Glasshouse, the debut from South African filmmaker Kelsey Egan, which has the potential to become a modern classic with how it expertly explores a modern dread in a pandemic-conscious

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The Magnetic Rose OVA

Isolation and vast emptiness are a very base fear for humanity, the mind often creating horrors far greater than anything set in reality as paranoia takes hold of rational thought. It is through this that the idea of deep water or space can leave one feeling anxious and uncomfortable and the thought of exploring these

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