Author: Adam Symchuk
Always on the prowl for new horror manga to check out, you sometimes have to browse off the beaten path. Randomly looking into titles lead me to Man Eater by Yosuke Takahasi, a mangaka I had never heard of previously. Having had moderate success in the past on going with gut instinct on a title,
I am always on the lookout for more extreme and challenging horror manga as a fan of work that pushes those boundaries of what is acceptable as entertainment. That said, there is a fine line between shock with substance and pitiful attempts to be edgy in a way to draw anyone in. As a result,
True crime has become a popular sub-genre that has reached a wide audience of those looking for shock or to better understand the lowest depths of humanity. However, the genre seems to hold comfort in the knowledge that these stories we can attribute to another’s actions, not the construct of an artist. Certainly, there are
The horrors of war don’t just end once a soldier returns; in fact, one of the saddest aspects of global conflict is society’s lack of post-care for soldiers. Unfortunately, heroism is only perceived as such when it fits a narrative, and authorities are quick to push human suffering under the rug as soon as it
Found Footage films have always been a personal favorite sub-genre of mine. Not only does it allow innovation on a budget, but the idea of drastically searching with a camera for the next fright has always got filled me with excitement. With that said, the genre is far from perfect and for every good film
The work of artist Mark Gagne strongly resonated with me on first impression, particularly the placing of shadow figures into a decayed landscape through photography. ‘Shadow people’, have become a staple of horror film, literature, and art, through instilling a sense of dread in many. However, there is a more personal view and analogy of
This past year, I have come to grow a deep appreciation of digitally distributed manga. Certainly the appeal of owning a physical book will never be beat, but the digital space does offer a platform for diverse and unexplored talent, allowing unique talent from Japan to be showcased. One such title, the wonderfully named My
Directors Justin Benson and Aaron Moorhead blew me away with the debut film Resolution, an eerie tale marked by a foreboding sense of doom. Their follow-up film, Spring, I will admit being indifferent towards, despite the critical appraise it got. Their next feature, The Endless, I did not get a chance to see (something I will correct in
Japanese ‘erotic grotesque nonsense’, often abbreviated to ‘ero guro’ or ‘ero guro nansensu’, is a genre of art that extends to various mediums. Consequently, the genre exists as a broad statement to capture the art that puts its focus on eroticism, sexual corruption, and decadence. The art style is not unique to Japan, but is
Off of the back of our best of 2020 list came a slew of recommendations through both our facebook pages, The Yurei and The Banshee. Out of multiple titles recommended, one stood out to me with some glowing praise for The Dark and the Wicked by Bryan Bertino. Off the kinds words of the community, I