Film
Our latest articles on horror films – reviews, analysis, insights and even news!
The Killing Cell falls into familiar tropes and beats of the found-footage genre. Notably, the plot sees a group of friends/paranormal investigators head to an abandoned facility, only to find themselves targeted by an evil force. However, filmmakers James Bessey and Karsen Schovajsa realize the truth that any fan of creepy urban-ex videos will tell
Buffet Libre marks the third feature film from actor/director Zoe Berriatúa, and his first dive into more macabre subject matter. Here, the story follows an older Chinese couple, Xian (Yan Huang) and Ikki, whose restaurant, located in a Spanish mall, is threatened by bankruptcy. After the accidental death of a debt collector leads to the
Sorority Babes in the Slimeball Bowl-O-Rama (also known as The Imp in the UK) is a 1988 American B-movie horror comedy written by Sergi Hasenecz, directed by David DeCoteau, and released by Full Moon Features. Beginning his career working with B-movie legend Roger Corman, DeCoteau has gone on to direct over 190 feature films, including
*I feel the need to add to this article the fact that I was engaged as a freelance contributor to the film’s post-production team, specifically responsible for creating the end credits. While this does make me part of the film’s crew, this fact has not influenced my thoughts on the film in any way.* Human
Why are horror and exploitation films so popular? Why do fans willingly submit themselves to the gruelling, torturous experiences that these genres provide? The simple answer is it feels good to be scared. Movies like Night of the Living Dead (1968) or Faster Pussy Cat, Kill Kill! (1965) allow fans to experience unique, unusual and
Cory Pratt’s Hide (2025) is a perfect mix of graphic imagery and careful restraint. In just a short runtime (less than 20 minutes), it manages to say more than many full-length feature films do, delivering tension, unease, and pointed social commentary without ever tipping into excess. The film shows just enough without feeling overly gratuitous
Just when you thought Phallacies broke the final taboo in art, filmmakers Domiziano Christopharo and Jon Devlin have returned with another horror anthology film, ready to push the boundaries of art with their “back-door” approach to cinema. This time, their gaze is focused solely on the final frontier of the human body in an unflinching,
Premiering at Grimmfest’s annual horror film festival, Frankie, Maniac Woman (2025), directed and co-written by Pierre Tsigaridis, director of Traumatika (2024), arrives with the promise of a searing indictment of the music industry’s relentless objectification of women, yet ultimately becomes complicit in the very misogyny it purports to critique. Following Frankie (Dina Silva), an aspiring
Is there a job that’s actually worth dying for? Director Jake Myers takes on the modern grind culture with this darkly humorous body horror about a mind-altering drink that makes employees work themselves to death. Early on in the film, a young woman is seen working overtime at a mysterious office when she gets a
Bodycam is a 2025 Canadian found footage horror film written and directed by Brandon Christensen, with additional writing from Ryan Christensen. Brandon is best known as the writer/director behind films such as Still/Born (2017), Superhost (2021), as well as The Puppetman (2023), and Night of the Reaper (2025), with Ryan attached as a writer. Two