Author: Adam Symchuk
“Followed introduces us to aspiring social media influencer “DropTheMike.” When he is offered the opportunity to get a nice stack of cash for sponsorship of his channel, he’s joined by his video crew on a visit to one of the most haunted hotels in America. While there, he expects to have a horrific night of
“A disoriented and frightened man awakens in a hospital room to discover he’s the recipient of a full face transplant. Plagued by weird flashbacks, no memory, and no visitors, he is unprepared when they release him from the hospital. When a mysterious red-haired woman, Sophie, befriends him, life gets even weirder. Suddenly a hooded man
The seminal American folk horror film Eyes on Fire has been unavailable on home video for decades. Thankfully, the good people at Severin Films has given the title a 4k restoration overseen faithfully by the director Avery Crounse; an interesting inclusion in the 2021 Fantastic Fest line-up so people can see it on the big
Resurfacing from the depths of the 80s, Devil Story is an idyllic pick for 2021 Fantastic Fest, courtesy of the good folks at Vinegar Syndrome. A showcase of inept filmmaking, the utter mess of a film will certainly delight fans of trash cinema. Essentially, Devil Story is a particularly special type of polished disaster, clawing
Many look to the upper echelons of society with a peculiar sense of awe, lives where money is no longer a concern is something that has drawn people into these untouchable figures since the very creation of the class system. Whether the fascination is to loathe or admire the fortunate few and their luxurious lives,
There are many different types of fears that can fester in the mind, everyone on some level knows what their greatest nightmare is – experiencing such emotions is an unavoidable part of the human condition. However, there are fears that are considered universal, ones that, at some point in time, will cross the minds of
The strength of the Japanese independent cinema has often rested on its ability to embrace absurdity and bring it together in a distinct yet cohesive manner. Consequently, the intuitive approach to micro-budgeted madness has launched such titles as Ryuhei Kitamura’s Versus into international acclaim. Comparative to the breakout action flick, director Yugo Sakamoto embraces the
“Every day we stray further from God’s light” may be a ‘meme-able’ saying, but it is one that is none-the-less true when we look at a mix of contempt and disinterest in institutionalized belief that is more prominent than ever. Yet, the interest in exploring faith through cinema seems ever present as religious horror is
When the first V/H/S film was initially released in 2012, its impact on the horror community was immediately felt, creating shocking scenarios presented in intimate detail through the found footage format. This led to two follow-up films, both varied in success, that further consolidated the prowess. After a short break after the ill-received V/H/S Viral,
Post-apocalyptic films after a pandemic certainly seem poised to hit their stride, with the horror genre acting as a cathartic release from modern day anxieties. Enter Glasshouse, the debut from South African filmmaker Kelsey Egan, which has the potential to become a modern classic with how it expertly explores a modern dread in a pandemic-conscious