
There are many different types of fears that can fester in the mind, everyone on some level knows what their greatest nightmare is – experiencing such emotions is an unavoidable part of the human condition. However, there are fears that are considered universal, ones that, at some point in time, will cross the minds of everyone. Arguably, it would be hard to find a single person not terrified by abandonment or confinement – a fear further resonated by the current global situation. However, things are not all doom and gloom, as fans of cinema have seen a wave of films revolving around such themes; the human spirit proves no crisis will stop people from being inspired into creating art. Certainly, Emily Bennett & Justin Brooks debut feature length film, Alone With You, exists in the space of COVID-era cinema, but to box it into just that would be a disservice to the frightening metaphysical nightmare the duo successfully crafted.
Emily (played by Emily Bennet) is anxiously awaiting for her partner, Emma, to return to their flat after a stint away on business as a photographer. However, a sense of uncertainty starts to make its way into the home as reality begins to slowly warp, and Emily finds she can’t even leave her apartment. Her only company, a woman from next door – whose continual weeping and mockery permeates through a wall, a malicious voice pushing her decent into madness.
Existing in a constant state of uncertainty and told by an unreliable narrator, Alone With You offers escalating dread as the world around a troubled young woman begins to slowly collapse. The corrosion of reality is cleverly exhibited with slight glitches in reality, losing track of time, stuck in a never-ending night, looping phone calls, and a friend whose conversations seem oddly disconnected from the severity of the situation. As matters begin to escalate, the horrors become a more present and tangible threat. From maniacal laughter coming through the walls that mimics Emily’s every word, and a weird creature existing in the peripheral, there is plenty of more palpable terror to push the troubled woman to the brink. Furthermore, Alone With You slowly unravels the mystery as to why this is happening through lush visual flashbacks – hinting that something deeply sinister is keeping Emily confined.
Adding a deeper layer of fear, there is a disturbing angle to be admired, which will only be appreciated by a few, and that is how closely the production captures the sensation of sleep paralysis (even more specific, to certain sufferers whose experiences differ per person). Notably, Alone With You blurs the lines of reality in a way where objects lie somewhere between the realm of lucid and intangible. There are blurred instances such as looking for a phone to only hear a distorted voice on the other end, vague notions of other figures present, voices breaking down into something otherworldly; all combining to really captures that sense of uncertainty if you are awake or dreaming. Thankfully, these elements are still terrifying without conjuring the demon that is sleep paralysis into analogy. Regardless, the film is certain to add an extra layer of terror to those who have felt the weight of nightmares.
Capturing both terror and confusion, actor Emily Bennet gives viewers a haunting portrait of a woman in mental decline. Other then a brief (and wonderful) cameo from Barbara Crampton as Emily’s mom, a few flashbacks of her lover Emma, and a friend sending video chats, the camera stay center focused on Bennet for the majority of the runtime. This setup, however, does not seem to phase Bennet in the slightest as her acting is free of any sense of uncertainty – it is a riveting performance.
Existing in the realm of metaphysical nightmares, Alone With You resonates a deeply disturbing claustrophobia, taking the confines of a small home and pushing the anxiety down deeper through contorting its protagonist’s sanity. It is a wild trip, and one that audiences need to take – it should hit that wonderful sweet spot of cathartic experience in dealing with modern anxieties while making you squirm in your seat.
We Watched Alone With You as Part of Fantastic Fest 2021
More Festival Coverage
Visitors (Complete Edition) is a Japanese 2023 Splatter horror comedy, written and directed by Kenichi Ugana. Beginning his theatrical debut in 2016 with the “Gal film” Ganguro Gals Riot… One of the biggest highlights of the Japan Film Fest Hamburg rests within the diverse selection of short films. For the audience, this means getting the chance to see original… If you ask a casual movie goer to list some classic horror films, a large majority of them will mention Halloween, Friday the 13th, and The Texas Chainsaw Massacre. One… When I saw the poster for Agnes, I was really hoping it was going to be a Nunspolitation film, because man, those need to make a comeback. Spoiler, it isn’t… Aspiring DJ, Andy, has his fate intertwined with a woman named Lela after he saves her after one of his sets. Lela, who is also secretly the DJ’s biggest fan,… We previously had the chance to check out Thomas Burke’s short film Camping Fun, a quick dive into a small cult that showed that Burke had the knack to channel…Visitors (Complete Edition) (2023) Film Review [Fantastic Fest]
Japan Film Fest Hamburg JFFH 2021 – Short Films Spotlight
Deadly Games (1982) Film Review – Low-Key Slasher That Slipped Under the Radar
Agnes (2021) Film Review – A Journey of Faith
Bashira (2021) Film Review – Ancient Evil Comes to the Modern Era
SHC: Freak Accident (2022) Short Film Review – I’m Burning Up!