Satan War is a 1979 Satanic exploitation horror, written and directed by Bart La Rue. Whilst mostly known as a TV actor who had starred in over 20 roles, including Star Trek TOS (1967-69), and Mission Impossible (1969-1972), Bart was also the writer/director of the 1975 documentary The Ark of Noah. The film has been

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In the aftermath of the Omega Pandemic, a devastating global catastrophe that has turned citizens into zombie-like monsters, a teenager named Salvador has become the caretaker of his younger siblings, Oliver and Benjamin. With limited supplies, the family hunts and eats whatever they can find. However, unable to let go of the past, they have

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The audience meets Ozzie Gray at a turning point in her life, dealing with her past trauma through an upbringing with a grandmother, Dorothy Bell, who was violent towards her and scorned by the public for acts of arson that led to the death of others. However, Ozzie holds onto the fond memories of her

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Anx and Cass are on opposite ends of the scale when it comes to personality. Anx is overly cautious while Cass grabs life by the balls and makes the most of every moment. After a night together, the two begin a slightly distant relationship, but when a bizarre pandemic breaks out that causes people to meld

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A prequel to the 1968 horror masterpiece, Roman Polanski’s Rosemary’s Baby, Natalie Erika James Apartment 7a takes place up just before Rosemary Woodhouse moves into the infamous Bramford. Apartment 7A instead follows Terry Gionoffrio (Julia Garner) an aspiring dancer/actor whose career takes a drastic turn when a nasty fall damages her ankle and turns her to persona

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Artificial intelligence, or AI, has been a popular trend amongst sci-fi horror films these days, from Lars Klevberg’s 2019 reboot of Child’s Play to the more recent Gerard Johnstone’s 2023 horror-comedy hit, M3GAN. In this latest film from S.K. Dale, Subservience (2024), we follow an artificially intelligent gynoid/feminine humanoid robot who develops self-awareness and gains

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The 2008 horror film The Strangers, written and directed by Bryan Bertino capitalizes on some of our most common fears: home invasion and random, unprovoked violence. It takes the minimalist, almost homemade look of horror films from the early 2000s and dials up the amount of tension and suspense, relying less on gore and more

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The Profane Exhibit is a 2013 extreme anthology film featuring work from directors Jeremy Kasten (The Wizard of Gore), Anthony DiBlasi (Malum), Yoshihiro Nishimura (Tokyo Gore Police), Uwe Boll (Postal), Ruggero Deodato (Cannibal Holocaust), Sergio Stavalentti (Demons), Ryan Nicholson (Gutterballs), Marian Dora (Cannibal), Nacho Vigalondo (Colossal), and Michael Todd Schneider (August Underground: Mordum).  The film

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The “World’s Greatest Paranormal Investigator” returns to the big screen for the fourth time in this American superhero horror film from director Brian Taylor (Crank, Ghost Rider: Spirit of Vengeance), Hellboy: The Crooked Man (2024). Based on the Hellboy: The Crooked Man and Others comic book series by Mike Mignola and marking the second reboot

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Home invasion films are undoubtedly a lasting source of sporadic dread for moviegoers, with their realism serving to heighten the sense of vulnerability that these scenarios, although made up, evoke. The intrusion into one’s sanctuary—the very place where one should feel secure—during the domineering darkness of night, represents a deeply entrenched fear. But what happens

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