A camera crew follows police officers Paul Massaro and Terrence Williams as they navigate a chaotic Halloween night in the small city of Franklin. Dealing with minor disturbances, they slowly start to piece together a bigger puzzle of potential satanic activity that the two slowly find themselves drawn toward. The Lost Episode is assembled by XPU$HER and made available through the Black-Torrent Release Group.
The Lost Episode builds up to the inevitable elements of horror with charm and humor, with the first few instances pointing to a grander satanic conspiracy featuring a drunk man warning citizens and a naked biker out trying to preach the good word using the power of his cock as a conduit for his message. Officers Paul Massaro (Benjamin Sutherland) and Terrence Williams (Anthony Grant) also play convincing police officers with engaging backstories and an honest desire towards their jobs; the film never comes across as ACAB nonsense, humanizing them in a way that makes the story engaging.
However, this effectiveness has its limits. As the stakes rise and emotions intensify—particularly with Terrence Williams confronting trauma in the present and past—the performances feel slightly disconnected. They lack the depth needed to fully immerse the audience in the film’s horrific climax. As a result, the tragedies that befall the characters evoke indifference, undermining the intended impact of the devilish reveal.
This is a shame, as the film’s closing moments pack a punch. Still, there is an intensity to the movie’s final ten minutes that serves as a redemption (of sorts) for its shortcomings. While it would have been ideal to feel more invested in Paul Massaro and Terrence Williams’ fate on a personal level, the final moments of shock leading up to the grand reveal will still please. This crowd-pleasing finally works despite its predictability, as there is always a particular joy to be found in filmmakers navigating familiar tropes and bringing their flair.

Visually, The Lost Episode takes some getting used to. Its premise—a documentary about random cops—feels slightly hamfisted unless viewed as an attempt to emulate the Cops TV format. As “lost footage,” the reasons for focusing on Paul Massaro and Terrence Williams remain vague, making the hands-off, found-footage style feel somewhat arbitrary. If the film had leaned more into a TV-style presentation, a touch of visual flair could have tapped into nostalgia for the era of ‘bad boys’ always on the run from the popo.
The setting of 2004 also slightly questions the formatting, as more high-definition equipment, such as the 1080i HD CCDs, was slowly emerging on the market. While that equipment was uncommon, the aesthetic here still feels slightly archaic for the era. A simple intro from the filmmakers—a common trope in found footage—could have clarified the intent and made the stylistic choices feel less awkward. Instead, the audience is left to piece together the lore of who the filmmakers are and why they’re filming. While such intros are cliché, they’ve become essential for grounding found footage narratives and giving credence to the needed ‘we must film everything’ mentality.
The pacing of The Lost Episode may challenge some viewers. Fans of the genre will appreciate the slow build, but others may find the lack of horror until the final moments tedious. Even in its well-executed climax, the scares are relatively tame, lacking the jump scares or haunting imagery that define more commercially successful found footage films. Still, as part of the Unnamed Footage Festival, The Lost Episode fits perfectly within a fanbase that values nuance and atmosphere over easy thrills.

The Lost Episode was a semi-frustrating experience, full of highs and lows, at some moments hard to take seriously, and others engaging. Police-themed found footage films are not uncommon, and within this niche sub-genre, there are stronger, more fear-inducing entries. However, there’s plenty to enjoy in a theater filled with like-minded fans. Notably, the film’s closing moments deliver shocking twists that, while not groundbreaking, will catch viewers off guard. The Lost Episode succeeds as a found footage film that builds to a single, impactful moment. It will be a worthy ride along for diehards, but may struggle to find appreciation outside of the casual FF fandom

We watched The Lost Episode (2024) As Part of the Unnamed Footage Festival

More Film Festival Coverage
There aren’t a lot of production studios left that are devoted to horror. The two big ones that come to mind for me are Sam Raimi’s Ghosthouse Pictures and Blumhouse…. “Once More Into The Breach” Tahoe Joe 2: The Sierra Nevada Bigfoot Conspiracy (2024) follows indie filmmakers Michael Rock and Dillon Brown of Horror Dadz Productions as they return to… Santiago Mendoza (Harold Torres) is a successful tabloid crime photographer in Mexico City, who has developed a hard exterior in order to deal with the extreme violence he photographs. One… Forced to move when her mother gets a new job, a teenager called Sol has to face dangers ranging from power outages, bullies at a new school, the worrying behaviour… When you think of your home town you may find yourself fondly reminiscing about the idiosyncratic characters and stories only your community knows about: the derelict building at the end… What did we get in the end? Constant pressure. Unmet expectations. Workhorses! All for a bunch of men that did not know what to do with us on the wrong…Bingo Hell (2021) Film Review – You Win, You Die!
Tahoe Joe 2: The Sierra Nevada Bigfoot Conspiracy (2024) Film Review – Ghillie Girls Gone Wild!
Disappear Completely (2022) Film Review – The Horror of Losing Oneself
The Night Belongs to Monsters (2021) Film Review – Argentinian Teen Outsider Drama With A Supernatural Edge
Pig Hill (2025) Film Review – Here Little Piggy [FrightFest 2025]
Torn Hearts (2022) Film Review – Hagspoitation From the Other Side
