“Ever try to lose yourself? No! Because you’re too busy trying to find yourself.” -Sissy St. Claire
Subversive feminist filmmaker Amanda Kramer returned to this year’s Fantastic Fest with a bizarre journey into the dark soul of one woman’s struggle for identity. Visually astounding, GIVE ME PITY! takes the form of a prime-time, Saturday night network television spectacular starring Sissy St. Claire (played with super-star power by Sophie Von Haselberg). As Sissy’s special show progresses, alternating between song and dance numbers, comedy sketches, and heart-to-heart monologues, darker visions and sinister figures appear, threatening to disrupt her one woman show.
Amanda Kramer is an independent and experimental writer and director. She uses the genre of a one-hour vanity/variety show, popular in the 1970s, as the stage for Sissy’s quest to discover her own identity. Like in many traditional shows, the sets are suggestions of actual places. This abstract incompleteness reflects Sissy’s view of herself as a work in progress. Her goal is to give all to “make it” as a beloved star. Kramer lampoons the soft-focused, over saturated color TV shows to draw attention to the difficulty of such a quest. How can someone be a star in a place where every node of light erupts in its own star-crossed filtered explosion, decorating each scene with its own constellation?

Sissy’s path to her dream vision of herself depends on the audience’s empathy and compassion for her. She wants the audience to feel sorry for her, hence the title of the last number and the movie itself, GIVE ME PITY! In between the songs and the sketches, she delivers several heartfelt monologues about a facet of herself. These monologues help demonstrate how complex and confusing Sissy really is, which falls in line with what Kramer once said about liking female characters who are “complicated assholes, sad/funny jerks.” Sophie Von Haselberg is more than up to portraying a needy, narcissistic, hilarious and hysterical character and making her a star that people want to engage with. Plus, she sings and dances as well.
A key part of any variety show is the musical numbers. GIVE ME PITY! has several musical moments, one of which being a disco-themed version of You’re a Grand Old Flag, where Sissy switches between several costumes and uses dance moves that George M. Cohan would not have approved of. Giulio Carmassi and Bryan Scary supplied lyrics and music for the rest of the songs which were influenced by diverse genres such as 1970s disco and Streisand-like ballads that give the performer a channel to her inner thoughts.

GIVE ME PITY! is a bold assault on the senses. Led by a captivating lead performer, writer and director Amanda Kramer takes the audience at home on a dark trip into the inner workings of Sissy St. Claire, a megastar in search of her own galaxy.
We Watched GIVE ME PITY! as Part of the 2022 Fantastic Fest Line-up


Past Film Festival Coverage
Every year horror fans are inundated with a slew of holiday-themed horror, with a select few becoming instant classics. Even at Fantastic Fest, where we caught There’s Something in The… The exorcism subgenre can be a bit of a double-edged sword. It’s so easy to rely on cheap makeup effects and jump scares to quickly turn a profit, which is… Hailing from a dead-end suburban neighborhood in Northern Illinois, a group of friends have taken to idolizing the show Jackass and are eager to make their own version; calling it… Forced to move when her mother gets a new job, a teenager called Sol has to face dangers ranging from power outages, bullies at a new school, the worrying behaviour… The Woods of Hawthorne, Illinois are Haunted… “I wanted to make a horror movie that toys with your expectations. ‘Hag’ starts as one thing and then morphs into something totally… During the current trend of “elevated horror”—films that explore personal trauma with visceral, cathartic violence—Jeffrey Primm and Dominic Arecelin’s 213 Bones promises to be a refreshing throwback to simpler horror…There’s Something in The Barn (2023) Film Review – If You Give an Elf a Lutefisk [Fantastic Fest[
The Exorcism of God (2021) Film Review – Tough Questions Require an Exorcist
Flesh Games (2023) Film Review – An Escalating Game of Cruelty [Unnamed Footage Festival 7]
The Night Belongs to Monsters (2021) Film Review – Argentinian Teen Outsider Drama With A Supernatural Edge
Hunting For The Hag (2023) Film Review [Unnamed Footage Festival 7]
213 Bones (2025) Film Review – A Bare Boned, Disjointed Slasher [FrightFest 2025]
I am a lifelong lover of horror who delights in the uncanny and occasionally writes about it. My writing has appeared at DIS/MEMBER and in Grim magazine. I am also in charge of programming at WIWLN’s Insomniac Theater, the Internet’s oldest horror movie blog written by me. The best time to reach me is before dawn.