“Ever try to lose yourself? No! Because you’re too busy trying to find yourself.” -Sissy St. Claire
Subversive feminist filmmaker Amanda Kramer returned to this year’s Fantastic Fest with a bizarre journey into the dark soul of one woman’s struggle for identity. Visually astounding, GIVE ME PITY! takes the form of a prime-time, Saturday night network television spectacular starring Sissy St. Claire (played with super-star power by Sophie Von Haselberg). As Sissy’s special show progresses, alternating between song and dance numbers, comedy sketches, and heart-to-heart monologues, darker visions and sinister figures appear, threatening to disrupt her one woman show.
Amanda Kramer is an independent and experimental writer and director. She uses the genre of a one-hour vanity/variety show, popular in the 1970s, as the stage for Sissy’s quest to discover her own identity. Like in many traditional shows, the sets are suggestions of actual places. This abstract incompleteness reflects Sissy’s view of herself as a work in progress. Her goal is to give all to “make it” as a beloved star. Kramer lampoons the soft-focused, over saturated color TV shows to draw attention to the difficulty of such a quest. How can someone be a star in a place where every node of light erupts in its own star-crossed filtered explosion, decorating each scene with its own constellation?

Sissy’s path to her dream vision of herself depends on the audience’s empathy and compassion for her. She wants the audience to feel sorry for her, hence the title of the last number and the movie itself, GIVE ME PITY! In between the songs and the sketches, she delivers several heartfelt monologues about a facet of herself. These monologues help demonstrate how complex and confusing Sissy really is, which falls in line with what Kramer once said about liking female characters who are “complicated assholes, sad/funny jerks.” Sophie Von Haselberg is more than up to portraying a needy, narcissistic, hilarious and hysterical character and making her a star that people want to engage with. Plus, she sings and dances as well.
A key part of any variety show is the musical numbers. GIVE ME PITY! has several musical moments, one of which being a disco-themed version of You’re a Grand Old Flag, where Sissy switches between several costumes and uses dance moves that George M. Cohan would not have approved of. Giulio Carmassi and Bryan Scary supplied lyrics and music for the rest of the songs which were influenced by diverse genres such as 1970s disco and Streisand-like ballads that give the performer a channel to her inner thoughts.

GIVE ME PITY! is a bold assault on the senses. Led by a captivating lead performer, writer and director Amanda Kramer takes the audience at home on a dark trip into the inner workings of Sissy St. Claire, a megastar in search of her own galaxy.
We Watched GIVE ME PITY! as Part of the 2022 Fantastic Fest Line-up


Past Film Festival Coverage
The anthology film is almost as old as the industry itself. Perhaps the earliest example is D.W. Griffith’s Intolerance (1916), the director’s petulant response to wholly justified accusations of racism…. Deep Fear is a 2022 French horror, directed by Grégory Beghin, who has made a name for himself as a TV actor, Grégory made his debut behind the camera with the 2020 comedy Losers… Celebrating Japanese cult cinema, the Japan Film Fest Hamburg is gearing up for its 2021 season running from August 18th to September 1st. What has got us so excited for… Prisoners of the Ghostland wastes no time engaging viewers with its opening scene depicting the curious contrast of the stark white interior of a bank with its many patrons donned… Warning to those with mycophobia – this is not the film for you. Gaia is a South African ecological horror film, full of mushroom monsters, skin-crawling body horror and raving… Baby Assassins: Nice Days is a 2024 Japanese action buddy comedy film, written and directed by Yugo Sakamoto. The film is the third installment of the Baby Assassins series of…Midnight Peepshow (2022) Film Review | Down the Rabbit-Hole…
Deep Fear (2022) Film Review – I Did “Nazi” That Coming
Japan Film Fest Hamburg 2021 – Embracing The Underground
Prisoners of the Ghostland (2021) Film Review – East Meets West for a Radioactive Psycho-Western
Gaia (2021) Film Review: God is Real, and She’s a Fungus
Baby Assassins: Nice Days (2024) Film Review – Children are the Future [Fantastic Fest]
I am a lifelong lover of horror who delights in the uncanny and occasionally writes about it. My writing has appeared at DIS/MEMBER and in Grim magazine. I am also in charge of programming at WIWLN’s Insomniac Theater, the Internet’s oldest horror movie blog written by me. The best time to reach me is before dawn.