Prey Predator Film

It’s no secret that since the original and beloved Predator hit cinemas back in 1987, the franchise has seen a steady decline in quality, with each subsequent entry somehow managing to be less palatable than the one before. Not even IP crossovers could save it (although I’m still holding out hope for an Archie Vs

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Trigger warnings for virtually everything, from child ab*se to r*pe, torture, animal ab*se, mutilation, and repeated mentions of c*ck vore. Yes, c*ck vore. And probably whatever you’re thinking, that too. Reader beware. Vitiators is a psychedelic Gedankenexperiment that makes the reader complicit in the horrors within. An exploration of the perils of rabid fandom and

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In 2009, House of Wax’s Jaume Collet-Serra gave us the modest hit Orphan starring a pre-Conjuring era Vera Farmiga as a mother who, after the death of their unborn child, agrees to adopt a nine-year-old girl from an orphanage who turns out to be a psychopathic woman posing as a child. Years later, the film

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So, has Dario Argento finally made a real comeback? Is it any good? Yes, he has, and yes it is. Just in case you don’t know with whom we are dealing, the briefest possible summary of Dario Argento’s track record is in order. During the 1970s, he became the undisputed maestro of Italian Giallo and

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The sparsely populated northern European country of Norway is the home of large reindeer herds, fjords, the birthplace of black metal, and many quality horror films. A list of notable Norwegian horror titles includes the fable Thale (2012), the excellent, found-footage film Troll Hunter (2010), The Lords of Chaos (2018), and the newly discovered Lake

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Tin Can Featured Image

Seth A. Smith’s Tin Can is a confinement horror with staying power, managing to walk the audience through no less than seven different subgenres, and delight them with delirious imagery, and a dazzling series of twists. One of the most ambitious and thought-provoking movies of the year, watching Tin Can feels like binging the latest

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If you’re after a movie that fits the term “cult favourite” like a glove, then look no further than 1982’s The Slumber Party Massacre. It has a brisk runtime, brimming with low-budget gore, memorably silly dialogue, and the expected amount of slasher nudity that one would expect from a Roger Corman production. Most importantly, it

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Drew Stepek

 If You Love Horror Books, You NEED to Get on Godless!  Let’s get one thing straight: Godless.com is NOT a satanic cult! It has nothing to do with religion of any kind. You will not burst into flames if you open up the website, your soul will not be damned, and you will not start

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The Old Man: The Movie (Vanamehe film) is a 2019 Estonian stop-motion animation, written and directed by Oskar Lehemaa and Mikk Mägi with additional writing from Peeter Ritso. The film is based on the animated short The Old Man: The Cartoon (Vanamehe Multikas), a collection of individual episodes telling the same story from the same

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  Set amidst the beautifully desolate scenery of the Joshua Tree desert, Head Count is a suspenseful slow burn that delves into folklore and urban legends through a threatening presence that hints toward the uncanny valley. Elle Callahan is able to create a meticulous feeling of impending dread in her debut full-length feature film, which

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