Hello Kitty Murder Hong Kong

Fan Man-yee was a young adult who suffered unspeakable horrors, horrors that to this day, the world is still unsure of what transpired. A lonely figure who became victim to the darkness that plagues the underbelly of the contemporary world. Her death marked the testament of the suffering that she had to endure, one that

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Devilman Crybaby shocked audiences worldwide in 2018, reeling in a brand new generation of fans and refreshing the hearts of long-time ones alike. With it grueling atmosphere and modern re-telling of the manga, Crybaby came here to conquer the feelings of many. Now let’s go back in time to the 80s, where a similarly-accurate but

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Japanese-Fashion-Gurokawa

Fashion has always constituted the concepts of trends and the hegemony instilled by fashion designers and companies alike. Sometimes, sub-fashion will protrude from the ordinary, producing an alternative style that is directed towards a very specific audience. Usually these styles clash against the norm, contributing its own unique blend of both fabrics and designs, shaping

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Horror is a tool. A tool used by the architect in order to design a macabre landscape, layered with mountains of fear and embedded with the riverbanks of mystery. Suehiro Maruo did not appropriate the tool, nor did he simply embellish it, Maruo crafted and invigorated the art with his non-conventional understanding of the grotesque

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The absence of sound derives from the cold but shallow environment. The chimes of eloquence toll in as the fog begins to settle. A piano, softly played but reminisced throughout the melody; ambience paints the background for the renowned and beloved Akira Yamaoka, a video game composer who contributes his talents largely to the world

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