Some movies are so bad that they’re fun, like an 80s slasher flick with gratuitous gore and cheesy tropes. You know, the type of films that are so bad that they’re good and end up with a cult following? Well, Your Host isn’t one of them.
Directed by DW Medoff and premiering at Frightfest 2025, this 2025 thriller tries to mash together gritty torture-porn aesthetics with a half-baked commentary on the #MeToo movement and the consequences of false allegations aimed at celebrities. The result is another tired Saw clone that is honestly a tonal mess — exploitative where it thinks it’s profound, and stale where it thinks it’s edgy.
The setup is familiar: a mysterious captor, a handful of 20-something victims partying at a remote summer home, elaborate traps, and a series of “morality tests” that would make even Jigsaw roll his eyes. The screenplay mistakes cruelty for depth, never offering any meaningful commentary beyond, “What if the victims deserved it?” Even the characters’ big reveals of the worst things they’ve ever done are anticlimactic, as they’re not some big reveals or revelations, more like playing truth or dare at a slumber party. And there really isn’t enough character development beforehand to make their confessions particularly meaningful, so it just falls flat. Are they awful people? Probably. Have we heard worse things in these types of movies before? Absolutely. Even worse, it tries to layer in social relevance by gesturing vaguely toward sexual misconduct and systemic abuse — but instead of saying anything thoughtful, it fumbles into uncomfortable territory that feels more like sensationalism than storytelling.

In recent years, the horror genre has made some bold statements on social and political issues, earning it a spot at the table amongst more “serious” films, while still staying true to the spirit of the genre. Take 2020’s The Hunt, for example, a gory killing spree of a film with an impressive level of camp and tongue-in-cheek satire, while still making audiences think about political correctness, social relevance, “cancel culture,” and privilege. Or 2021’s The Advent Calendar, a French horror movie that forces us to think about ableism and prejudice while keeping its supernatural horror elements at the forefront and leaving viewers unsettled and disturbed for a whole slew of reasons. While it’s clear that Your Host was trying to earn itself some relevance by touching on the issues of sexual misconduct, celebrity scandal, and false allegations (and the morality issues therein), it just feels forced, as though it was shoehorned in at the last minute to give the climax some sort of deeper meaning. Not only that, but the film blatantly trying to subvert the #MeToo movement by insinuating that there are groups of women out there planning fake disclosures to cash in on a “trend” is not only insensitive, but dangerous. It not-so-subtly suggests that women should second-guess themselves before coming forward to disclose situations that made them uncomfortable because they might just be mistaken or interpreting things incorrectly. This is exactly the kind of reasoning that the movement aims to bring attention to, as it is this mentality that caused victims to stay quiet for so long. This whole part of the plot seems questionable, and it makes the film feel almost like two disjointed ideas: The film about the people being punished for their immoral behavior, and the film about clapping back at the #MeToo movement by trying to undermine its whole premise. Had the film gone in fully on the issues of mortality and dark secrets, or at least picked a less problematic way to involve these issues, it may have worked, but in the end, it just felt lukewarm and lacked any real impact.
That isn’t to say the film has nothing going for it: Somehow, against all odds, the practical effects are fantastic. The gore is tactile, grimy, and unsettling in a way that CGI rarely captures these days. It’s almost reminiscent of 80s grindhouse gore, but with a realism and polish that elevate it above a lot of indie horror effects. It’s a shame that this level of craftsmanship is wasted on a movie with so little to say. Watching Your Host is, at times, painful, but for all the wrong reasons. However, for fans of over-the-top practical effects, it might almost be worth watching just for the refreshingly CGI-less blood and guts. Almost.

Overall, Your Host is just a miss on so many levels. For fans of inventive kills, there are a few moments worth admiring purely on a technical level, but if you’re hoping for smart social commentary or even just a fresh take on the trapped-in-a-room genre, you’re better off rewatching Saw II and saving yourself the headache because by the end, the movie feels less like a horror experience and more like being cornered at a party by someone who wants to tell you about their “hot take” on social issues. Had the film leaned into how tropey and recycled it is, it might have fared a bit better, but as an actual horror film, it should be locked in a room and forced to confess its sins.
Your Host (2025) is available for rental/purchase on VOD Platforms from October 14th
More Film Festival Coverage
Alongside their dedicated Shorts Showcase (both Canadian and International), the Toronto After Dark Film Festival offers bitesize extras for those attending. Each of the main features is preceded by a… Heading back to the coastal town where he is haunted by the memories of a past friend, Martin ends up meeting Lucas and the two begin to search for clues… The Etheria Film Festival, or Etheria Film Night, is an annual film festival to showcase the latest short films by female directors. The first Festival was founded in 2014 by… The found footage film subgenre still has it. I never knew a FF film could be as profound as it is scary, given that its restricted legroom can only do… Celebrating Japanese cult cinema, the Japan Film Fest Hamburg is gearing up for its 2021 season running from August 18th to September 1st. What has got us so excited for… How many of you have been to a GWAR show? If you haven’t, I bet you know someone who has, and I can guarantee you that person has some stories…TADFF 2023 Canadian Shorts (Pre-features) [Toronto After Dark Film Festival]
Phantom Summer (2022) Film Review – The Opera Macabre
Etheria Film Festival 2021 – Breaking Down and Rating The Shudder Short Film Fest
The Outwaters (2022) Film Review – Is Humanity Pointless After All?
Japan Film Fest Hamburg 2021 – Embracing The Underground
This is GWAR (2021) Film Review – There Will be Blood
As lover of cryptids, literature, and all things horror, I am so excited to be bringing my talents to the Grimoire of Horror. I am a librarian, avid gamer, TTRPG nerd, and a Mothman fangirl. I spent several years screening films for PRIMAA’s Canadian film festival Reel Shorts, and spent some time as an amateur horror filmmaker, competing in the Frantic 48 filmmaking challenge several years in a row. I love anything horror, from true crime to grindhouse to found footage and am especially interested in horror books and movies created by LGBTQIA2S+ and BIPOC as I think we have a fresh take on the genre and a fascinating perspective on what horror can be.
