
What do traditional Romero zombies and VHS era classic mascot slashers have in common? They’re slow, but they’re implacable. They will just keep on coming, and coming, until you make a mistake or just get unlucky, until they inevitably catch you…
Now, you know where this gets cool and more than a little primal? Human evolution. Well, hominid, depending on how far back you go. We don’t have claws. Our teeth are kind of “meh”, made for eating basically anything so no real specialization. We aren’t very fast. While we can be sneaky, we don’t have natural camouflage. But we, or else the proto humans, want that delicious high calorific meat of other animals (who have the poor judgement to be made of this delicious substance).
So what do we do? We stalk. Our bipedal gait has gravity doing half the work, we’re ape enough still to be able to deal with rough terrain, our weird lumpy bodies don’t have the raw power of our distant relative simians but they ARE built for incredible levels of endurance. So we stalk. We follow.
Our prey stops to drink after it has sprinted, and here we come catching up. They run again, and we follow. They stop panting, desperate to recover, and these sweaty hairless apes just keep coming with no need to stop to cool down. Until eventually the prey can run no more, and our early great inventions of Pointy Stick and/or Rock seal the deal. MEAT!
Early humans were the perfect Persistent Predator, able to relentlessly harass sprinting prey animals with a combination of cunning and endurance that isn’t matched anywhere else in the animal kingdom. This seems to still be hardwired into us somewhat and we can see glimpses of it in horror movies like Halloween, Friday the 13th(mostly Jason but even Mama Vorhees), the Trilogy of the Dead, and recent remixes such as It Follows or It Stains the Sands Red.
Ever wondered why the relentless walk was so scary? It’s because this is how Homo Sapiens used to stock up the barbeque before agriculture caught on, and we still on some level recognize the technique…
More reviews:
The Stickman’s Hollow (2024) Film Review – Don’t be a Stick in the Mud [Dead Northern Film Festival]
The Stickman’s Hollow is a 2024 Canadian found footage horror, written and directed by Jack Cox. Mostly known for his extensive voice-directing work in English Dubbed anime and other animated…
The Moor (2023) Film Review – Cronin’s Atmospheric Horror is a Must Watch
In today’s world of flashy graphics and CGI, audiences have become immune to fantastical horror, pushing some writers to create content to test our boundaries with the extreme. In The…
Things Heard and Seen (2021) Film Review – Unique Phycological Horror
Things Heard and Seen is an unusual, psychological horror film where several tropes are turned on their heads, while the important beats are still captured. Domestic relationships, power dynamics, and…
Pig Killer (2022) Film Review – Canada’s Most Prolific Serial Killer
Pig Killer is a 2022 American horror thriller, written and directed by Chad Ferrin. The film is a retelling of one of Canada’s most prolific serial killers, Robert William “Willy”…
Labyrinth of Cinema (2019) Film Review – Celebrating the Magic and Power of Movies
It is hard to know where to begin when discussing the epic that is Labyrinth of Cinema, the final directorial feature of Nobuhiko Obayashi. Perhaps it is best to start…
Devil Story (1986) Film Review – What a Lovable Lump of a Man
Resurfaced from the depths of the 80’s, Devil Story is an idyllic pick for 2021 Fantastic Fest, courtesy of the good folks at Vinegar Syndrome. A showcase of inept filmmaking,…

Luke Greensmith is an Editor at the Grimoire of Horror and an active folklorist as well as working in film across a few roles. While this can cover quite a wide range of things, he’s a dedicated horror fan at heart and pretty involved with horror communities both online and local to him. You can find their folklore work on the Ghost Story Guys Podcast, their own LukeLore podcast, and accompanying the artist Wanda Fraser’s Dark Arts series as well as on the Grimoire of Horror itself.