What do traditional Romero zombies and VHS era classic mascot slashers have in common? They’re slow, but they’re implacable. They will just keep on coming, and coming, until you make a mistake or just get unlucky, until they inevitably catch you…
Now, you know where this gets cool and more than a little primal? Human evolution. Well, hominid, depending on how far back you go. We don’t have claws. Our teeth are kind of “meh”, made for eating basically anything so no real specialization. We aren’t very fast. While we can be sneaky, we don’t have natural camouflage. But we, or else the proto humans, want that delicious high calorific meat of other animals (who have the poor judgement to be made of this delicious substance).
So what do we do? We stalk. Our bipedal gait has gravity doing half the work, we’re ape enough still to be able to deal with rough terrain, our weird lumpy bodies don’t have the raw power of our distant relative simians but they ARE built for incredible levels of endurance. So we stalk. We follow.

Our prey stops to drink after it has sprinted, and here we come catching up. They run again, and we follow. They stop panting, desperate to recover, and these sweaty hairless apes just keep coming with no need to stop to cool down. Until eventually the prey can run no more, and our early great inventions of Pointy Stick and/or Rock seal the deal. MEAT!
Early humans were the perfect Persistent Predator, able to relentlessly harass sprinting prey animals with a combination of cunning and endurance that isn’t matched anywhere else in the animal kingdom. This seems to still be hardwired into us somewhat and we can see glimpses of it in horror movies like Halloween, Friday the 13th(mostly Jason but even Mama Vorhees), the Trilogy of the Dead, and recent remixes such as It Follows or It Stains the Sands Red.
Ever wondered why the relentless walk was so scary? It’s because this is how Homo Sapiens used to stock up the barbeque before agriculture caught on, and we still on some level recognize the technique…
More reviews:
Buffet Libre (2025) Film Review – The Secret Ingredient is Murder [Another Hole in the Head Film Festival]
Buffet Libre marks the third feature film from actor/director Zoe Berriatúa, and his first dive into more macabre subject matter. Here, the story follows an older Chinese couple, Xian (Yan…
Eri’s Murder Diary Film Review – The Broken Mind Of A Killer
Proposing itself as an intimate look at a killer, Eri’s Murder Diary (2021) caught my attention among the many titles at Japan Film Fest Hamburg. Directed by newcomer Koji Degura,…
What Josiah Saw (2021) Film Review – The Legacy of Trauma
At a dilapidated farmhouse that is slowly decaying Josiah (Robert Patrick), the aging patriarch of the Graham family ekes out a defeated existence boozing his way through his remaining life…
The Uncle (2022) Film Review – The Best Family Traditions Are Forged Through Fear [Fantastic Fest]
Opening with an awkward family greeting before a Christmas Celebration, The Uncle is familiar to those who have pushed through awkward gatherings. However, the sinister undertone of the film is…
Canadian Shorts After Dark Showcase – Toronto After Dark Film Festival 2022
In addition to those that played ahead of the main features, the Toronto After Dark Film Festival screened eight more Canadian shorts in a dedicated showcase. From stop-motion animation to…
Urotsukidoji: Legend of the Overfiend (1989) Anime Review – Fun For All the Family
Urotsukidoji: Legend of the overfiend is a 1989 Japanese, adult-oriented horror anime film, written by Shô Aikawa and directed by Hideki Takayama. Takayama is well-known as the director of a…

Luke Greensmith is an Editor at the Grimoire of Horror and an active folklorist as well as working in film across a few roles. While this can cover quite a wide range of things, he’s a dedicated horror fan at heart and pretty involved with horror communities both online and local to him. You can find their folklore work on the Ghost Story Guys Podcast, their own LukeLore podcast, and accompanying the artist Wanda Fraser’s Dark Arts series as well as on the Grimoire of Horror itself.