What do traditional Romero zombies and VHS era classic mascot slashers have in common? They’re slow, but they’re implacable. They will just keep on coming, and coming, until you make a mistake or just get unlucky, until they inevitably catch you…
Now, you know where this gets cool and more than a little primal? Human evolution. Well, hominid, depending on how far back you go. We don’t have claws. Our teeth are kind of “meh”, made for eating basically anything so no real specialization. We aren’t very fast. While we can be sneaky, we don’t have natural camouflage. But we, or else the proto humans, want that delicious high calorific meat of other animals (who have the poor judgement to be made of this delicious substance).
So what do we do? We stalk. Our bipedal gait has gravity doing half the work, we’re ape enough still to be able to deal with rough terrain, our weird lumpy bodies don’t have the raw power of our distant relative simians but they ARE built for incredible levels of endurance. So we stalk. We follow.

Our prey stops to drink after it has sprinted, and here we come catching up. They run again, and we follow. They stop panting, desperate to recover, and these sweaty hairless apes just keep coming with no need to stop to cool down. Until eventually the prey can run no more, and our early great inventions of Pointy Stick and/or Rock seal the deal. MEAT!
Early humans were the perfect Persistent Predator, able to relentlessly harass sprinting prey animals with a combination of cunning and endurance that isn’t matched anywhere else in the animal kingdom. This seems to still be hardwired into us somewhat and we can see glimpses of it in horror movies like Halloween, Friday the 13th(mostly Jason but even Mama Vorhees), the Trilogy of the Dead, and recent remixes such as It Follows or It Stains the Sands Red.
Ever wondered why the relentless walk was so scary? It’s because this is how Homo Sapiens used to stock up the barbeque before agriculture caught on, and we still on some level recognize the technique…
More reviews:
Don’t Look Now (1973) Film Retrospective
There is a good reason why Don’t Look Now so rarely feels like it is a horror film. It is much too concerned with going about its daily business as…
Raging Grace (2023) Film Review – Horror and Social Commentary in Unsettling Harmony [FrightFest]
Raging Grace outlines the exploitation and fetishisation of undocumented immigrants whilst simultaneously celebrating distinctive Filipino traditions and cultural heritage. Paris Zarcilla’s incisive directorial debut follows single mother Joy as she…
Black Friday (2021) Film Review – Capitalism is Hell
In the anti-consumerist horror comedy Black Friday, a ragtag group of toy store employees try to fight off an infectious horde of customers during the worst day of the year…
My Best Friend’s Exorcism (2022) Review – Fan Favorite Book Makes its Way to Film
What would you do for a friend? How far would you go for them? What if a demon possessed them? Those are the questions posed by My Best Friend’s Exorcism, the…
Halloween Kills Film Review (2021) – Michael Walks Home
As a newcomer to the Halloween franchise, I am less experienced with the later sequels to have any attachment to the worldbuilding, and I controversially thought Rob Zombie’s film was…
Book of Monsters (2018) Film Review: A Gore-Soaked Indie Gem
I adore independent film, escaping the usual clichés that are all too common in Hollywood. Consequently, small, independent companies are a good way to experience a fresh take on film…

Luke Greensmith is an Editor at the Grimoire of Horror and an active folklorist as well as working in film across a few roles. While this can cover quite a wide range of things, he’s a dedicated horror fan at heart and pretty involved with horror communities both online and local to him. You can find their folklore work on the Ghost Story Guys Podcast, their own LukeLore podcast, and accompanying the artist Wanda Fraser’s Dark Arts series as well as on the Grimoire of Horror itself.