Strike is a 2024 English supernatural horror short film, written by Hendrik Harms and directed by Mark Patterson. When the lonely and isolated Francine is gifted a case of matches made in her controlling husband’s factory, she discovers that within the flames of each match resides the tortured soul of a deceased factory worker, cursed to appear with every strike.
Providing an adroit look at separation and forlornness, Strike takes an unusual approach to its horror. Where a supernatural element is usually the antagonistic role, the film flips this on its head—providing a comforting presence to the protagonist rather than a negative one. Indeed, the real threat to our main character resides in the living, the antagonistic role is solely taken up by her supposedly doting husband. While beginning as a man trying his best to care for his newly paralysed wife, the film soon calls into question his compassion. The tragedy is called into question more and more, soon becoming clear that it was no accident at all.

With amazing performances from the minuscule cast, each actor fully embraces their character as well as the period. However, the best performance comes from our supernatural entity, played by Amy Anderson, who gives an intrinsic visual performance throughout. Having no spoken dialog, her performance solely relies on visual relation—expressing herself expertly through physical acting.
While having very minimal effects throughout, what few are implemented is achieved through visual CGI. Though I’m personally not a fan of VFX, their limited use, and eminence certainly elevate this. Additionally, the ethereal smoke cloud of the specter’s appearance certainly isn’t something a small-budget production can easily produce by physical means.

A unique tale of vengeance from beyond the grave, Strike is an engrossing yet concise supernatural horror with a distinctive twist. With its notably refreshing narrative, fantastic performances, and impressive implementation of a limited budget, the film is a testament to independent filmmaking—providing an outstanding paranormal period horror.

More Film Festival Coverage
Anya, an aspiring yoga influencer, decides to take on her grandmother’s regime for ‘good health’ after finding her notes in a secret room of her house where she is currently… The seminal American folk horror film Eyes on Fire has been unavailable on home video for decades. Thankfully, the good people at Severin Films has given the title a 4k… Director Quinten Dupieux has been building a catalog of films ever since his release of Steak back in 2007. (However, you could argue he defined his image starting all the… We previously had the chance to check out Thomas Burke’s short film Camping Fun, a quick dive into a small cult that showed that Burke had the knack to channel… Making its world debut at Fright Fest, David Buchanan’s Laguna Ave is being billed as “Shinya Tsukamoto’s Tetsuo: The Iron Man through the lens of John Waters”. Lofty praise for a… Director Kenichi Ugana is profoundly interested in exploring societal outcasts and obsessives in his work, whilst maintaining a distinct punk and transgressive style. With titles such as Visitors: Complete Edition…Mind Body Spirit (2023) Film Review – Demonic Yoga [Unnamed Footage Festival 7]
Eyes of Fire (1983) Film Review – Early Stirrings of Folk Horror
Incredible But True (2022) Film Review – Time Travel at its Most Inconvenient
SHC: Freak Accident (2022) Short Film Review – I’m Burning Up!
Laguna Ave (2021) Film Review – Cyber Punk From The Trash
Incomplete Chairs (2025) Film Review – Furniture-Based Body Horror [GrimmFest 2025]

Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.
