Junk Head is a 2017 dystopian stop-motion animation film, written and directed by Takahide Hori. The film is based on the director’s 2013 first short film Junk Head 1, whose narrative is expanded upon to create a feature-length production.
The story unfolds in a post-apocalyptic world where humanity is on the brink of extinction, and what remains are strange creatures and cyborgs. Our protagonist, a lone explorer, descends into the depths of the labyrinthine underground facility to uncover the mysteries of this desolate realm. The narrative, though sparse in dialogue, is rich in visual storytelling, allowing the audience to immerse themselves in the eerie and captivating atmosphere.

One of the standout features of Junk Head is its exceptional stop-motion animation. Takahide Hori’s attention to detail is evident in every frame, from the lifelike movements of the characters to the intricacy of the mechanical landscapes. The characters themselves, a mix of organic and artificial beings, are uniquely designed, each contributing to the film’s overall visual apocalyptic aesthetic. Furthermore, the fact that the director handled the majority of the behind-the-scenes elements, such as sculpting, animation, camerawork, and much more undoubtedly imbues the entire film with a dedicated vision that elevates the film into a streamlined artistic vision.
The film’s pacing is deliberately alternating, allowing viewers to absorb the beauty of the painstakingly crafted sets and characters, yet still relays a level of urgency. The stop-motion animation technique adds a tactile quality to the film, providing a sense of tangibility to the surreal world presented on screen. The use of practical effects and puppetry further enhances the authenticity of the film, distinguishing it from the more common forms of animations present in cinema.

The sound design in Junk Head complements the visual spectacle seamlessly. The ambient sounds of the underground world, coupled with an evocative musical score, create an immersive audio experience. The film’s soundtrack, carefully composed to enhance the emotional resonance of key scenes, adds another layer to the overall cinematic journey.
While Junk Head may not rely heavily on dialogue, its thematic depth is evident. The exploration of existential themes, the impact of technology on humanity, and the resilience of the human spirit are woven into the narrative, inviting viewers to contemplate the deeper layers of the story.

Far more charming than it has any right to be, Junk Head stands as a testament to the power of stop-motion animation as a storytelling medium. Takahide Hori’s visionary direction and the meticulous craftsmanship behind the film contribute to a unique cinematic experience that lingers in the mind long after the credits roll. For fans of avant-garde animation and those who appreciate the artistry of stop-motion, Junk Head is a must-watch masterpiece.

More Film Reviews
All This Time (2024) Film Review – Time Makes Fools of Us All [Dead Northern Film Festival]
All This Time is a 2024 English period horror film, written and directed by Rob Worsey. Mostly known for writing and directing short films such as Another’s Eyes (2015), and…
30 Best Horror Comedy Films – From Classic to Cult
Fans of the horror are very much aware of the amount of subgenres that have been birthed out of the general moniker of being called horror. However, out of all…
Night’s End (2022) Film Review: The Ghosts of Insomnia
When a colleague forwarded me the trailer for Night’s End with the note “I think this is up your alley,” he couldn’t have been more right…. by the trailer at least….
Shock Docs: Amityville Horror House – Paranormal Documentary Review
Dubbed the most evil house in America by demonologists Ed and Lorraine Warren, 112 Ocean Avenue, Amityville, Long Island, New York has definitely piqued the curiosity of many horror fans…
Candy Land (2022) – Film Review – A Grim and Gritty Slasher from the Edge of Society
Candy Land (2022) is a religious-horror-themed slasher film that upends established genre conventions in unexpected and gripping ways. Writer-director John Swab (Let Me Make You a Martyr) tells the gritty…
Harakiri (1962) – The Greatest Deconstructive Samurai Film
We will be examining a classic Japanese film on 17th century samurai as both a faithful homage to their traditions while a deep critique to the virtues instilled – a…

Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.
