Anyone who’s been in a car accident understands disorientation; the lack of clarity of what just happened, the realization that time does indeed slow down, it’s not some old wife’s tale and the difficulty one has in collecting themselves after the chaos.
That appears to be Cecilia’s (Moro Anghileri) problem. She’s lost, at first in the literal sense, her son in a car wreck with a truck carrying a mysterious crate. When she wakes up in the hospital, her son and the other driver are missing, as is a witness. And that mysterious crate has opened up. That’s the setup for Daniel De La Vega’s On The Third Day, an Argentinian horror film that’s more alive when you’re in the same kind of daze as its lead.
There’s a lot to unpack in a film whose runtime is less than 90 minutes, though much of it would involve spoilers. One might think the film title is a dead giveaway, but they’d only be half-right. Since part of the joy of films like Day is the mystery, it’s best to speak vaguely.
After waking up in the hospital, suspicions fall on the only one found, and Cecilia has no memory of the events after the accident. Only a doctor seems willing to help, the police and her abusive ex-husband are instantly accusatory. It’s very clear Cecilia has been controlled by the men in her life, she can’t even get her ex to leave at an agreed-upon time.
Anghileri has to walk a pretty fine line, and she’s certainly up to it. We’re never meant to entirely trust her, even though we have little reason not to. Her cipher-like performance only further contributes to the intentionally overwhelming bewilderment of the first half.
But, Day isn’t interested in dwelling on the causes and reasons of what’s happening, and it’s a better film for it. It’s that mystifying disorientation that keeps it working, the mystery is engaging even for those who called it early. For the first half, audiences could be easily torn between what the ultimate reveal is. It’s not that the twist is difficult to see coming, only that De La Vega conceals it amid religious jargon and imagery. It also helps that Day exists in a contained setting, not having much interest in a Catholic Church conspiracy that’s only paid brief attention.
It’s one thing for a film to establish its creeping sense of dread, it’s another entirely to maintain the length of the runtime. De La Vega accomplishes this in part through subterfuge, but also by employing some of the oldest tricks in the book. It’s nice to know things like hypnotism scenes with metronomes and Vertigo shots can still pack some punch.
Ultimately, however, the reveal is still a reveal. Positively, it’s well-handled with a great ghoulish creature. It’s not the most original monster in cinema, but it’s certainly haunting. Still, concealing a surprise that is not much of one, or any depending on the viewer, is always going to be a bit of a letdown. If, of course, it’s looked at as a twist, as I imagine many will. In reality, it’s a logical progression.
It’s an ending that gets thematically richer upon reflection, and a refreshing road toward one of the oldest monsters in the genre. And it’s a fun ride getting there.
This article was originally written by Kenny Hedges for Grimoire of Horror.
More from Fantasia Film Festival:
You Took the Train to Busan… Dare You Enter the Colony Enter at your own risk as STUDIOCANAL invites you to a biotech conference gone horribly wrong, in Yeon Sang-ho’s… Harbinger is a 2026 English supernatural slasher horror film written by Harry Boxley and Simon Cluett and directed by James Crow. Cutting his teeth as a writer/director in 2010 with… Azerbaijani Parasite-Horror Feature OBITUS Unveils Official Teaser Trailer Recfilms has released the official teaser for OBITUS, an upcoming Azerbaijani survival / parasite-horror feature directed by Rec Revan. The 105-minute film… The visionary sci-fi anime masterpiece, Ghost in the Shell, returns to 800+ theatres in North America for its 30th anniversary in the US, shown in stunning 4K in select theatres… Tetsuo: The Bullet Man is a 2009 Japanese cyberpunk body horror film written and directed by Shin’ya Tsukamoto, with additional writing from Hisakatsu Kuroki. Known for his writing, directing, and… DEATHGASM 2: GOREMAGEDDON SET FOR ONE-NIGHT THEATRICAL EVENT, DIGITAL AND PHYSICAL RELEASE THIS FALL FANTASTIC FEST PRESENTS SCREENINGS HIT ALAMO DRAFTHOUSE THEATERS NATIONWIDE SEPTEMBER 29 AHEAD OF OCTOBER 13 DIGITAL DEBUT… Ground Zero Hero is an action roguelite, bullet-heaven video game developed by Rowan Edmondson and published by Acclaim, Inc. Rowan is an Australian indie game developer who originally developed the… Revered throughout ancient history, the humble kitty cat has long been considered a necessary addition to society. Associated with agriculture, pest control, and cleanliness, their presence was celebrated as an… Remember the graphic stories you were told at high school assemblies meant to dissuade reckless driving? Maybe the stories were accompanied by crime scene photos or grainy school pictures of… Altitude Zero is a short atmospheric and unsettling horror experience developed and published by Italian indie dev Pierpiero. Known for creating minimalist, PS1-inspired retro-throwback games, Pierpiero has previously developed the…