The International Film Festival Rotterdam has revealed the second focus program for its upcoming festival, taking place from 29 January to 8 February 2026, marking the 55th year of IFFR. This dedicated showcase will centre on V-Cinema, the Japanese direct-to-video cinema boom that transpired in the late 80s, and has had a memorable impact on filmmaking since.
Originating with Toei’s action film Crime Hunter: City of Bullets (1989), which was met with great success, the company capitalised on this newfound popularity in the VHS rental market to produce a stream of low-budget features at a much faster rate than cinematic releases–feeding this market further. This new freedom allowed directors to work quickly and with largely unbound creative freedom, to produce a large body of work for release. Additionally, the method offered an invaluable opportunity for up-and-coming filmmakers to begin honing their craft. The likes of Nakata Hideo, Takashi Miike, Kiyoshi Kurosawa, and many more notable names in film were all given their first opportunities to direct inside V-Cinema–kick-starting their careers.

FFR’s V-Cinema Focus Programme will feature multiple titles from Toei – including the previously mentioned Crime Hunter: Bullets of Rage (1989) and its follow-ups Crime Hunter 2: Bullets of Betrayal (1989), and Crime Hunter 3: Killing the Bullet (1990). Furthermore, screenings of Betrayal of Tomorrow (1990), as well as the feature-length debut work of Nakata Hideo, Female Teacher: Forbidden Sex (1995), and XX Beautiful Weapon (1993).
Additionally, screenings of Takashi Miike’s Fudoh: The New Generation (1996), Tuff: Part I (1990), Suit Yourself or Shoot Yourself!! VI: The Hero (1996), and The King of Minami (1992) will also be held during the festival. Not ignoring V-cinema’s long relationship with horror, the festival will the supernatural anthology Scary True Stories: Second Night (1992), the found footage horror Psychic Vision: Jaganrei (1988).

The complete programme for IFFR’s 55th edition will be launched on 16 December 2025.
More Film Reviews
Porno (2020) Review: Not Actually Porno…
Despite the belief that this humble viewer may have been drawn in by such a provocative title, Porno, (also cringingly known as Fangoria’s Porno) premise was enough to pique my interest….
Mean Spirited (2022) Film Review – Yes Today Satan
Andy, A wannabe YouTuber decides to head out and visit an old friend Bryce in an attempt to find out why he abandoned their prank channel, “Mean Spirited”, when he…
Alpha Male (2022) Film Review – The Absurd Temple of Bromanity!
Struggling to quit smoking, Piotrek’s fiancée signs him up for a course at an institute focused on providing help for men. However, after a room mix-up, he finds himself in…
Ceroboh (2022) Film Review – The Real Sky Beast is Man
Ceroboh (aka The Screaming Sky) is a 2022 Malaysian sci-fi thriller, directed by Feisal Azizuddin. Mostly known for directing shorts, Feisal made his move into feature-length directing the drama thriller…
A Beast in Love (2020) Film Review – Ludicrously Dark Comedy
One of the more unique entries in this years Japan Film Fest Hamburg (JFFH), A Beast in Love (2020) is the latest film from the mind of Koji Shiraishi. Prolific…
Wicked World (1991) Film Review – Toronto is Swarming with Nihilists
In 1989 Barry Gillis released, arguably, the worse film ever made with his sci-fi horror experiment Things (1989). The mix of incoherent story, disorienting and cheap camera work along with…
