The International Film Festival Rotterdam has revealed the second focus program for its upcoming festival, taking place from 29 January to 8 February 2026, marking the 55th year of IFFR. This dedicated showcase will centre on V-Cinema, the Japanese direct-to-video cinema boom that transpired in the late 80s, and has had a memorable impact on filmmaking since.
Originating with Toei’s action film Crime Hunter: City of Bullets (1989), which was met with great success, the company capitalised on this newfound popularity in the VHS rental market to produce a stream of low-budget features at a much faster rate than cinematic releases–feeding this market further. This new freedom allowed directors to work quickly and with largely unbound creative freedom, to produce a large body of work for release. Additionally, the method offered an invaluable opportunity for up-and-coming filmmakers to begin honing their craft. The likes of Nakata Hideo, Takashi Miike, Kiyoshi Kurosawa, and many more notable names in film were all given their first opportunities to direct inside V-Cinema–kick-starting their careers.

FFR’s V-Cinema Focus Programme will feature multiple titles from Toei – including the previously mentioned Crime Hunter: Bullets of Rage (1989) and its follow-ups Crime Hunter 2: Bullets of Betrayal (1989), and Crime Hunter 3: Killing the Bullet (1990). Furthermore, screenings of Betrayal of Tomorrow (1990), as well as the feature-length debut work of Nakata Hideo, Female Teacher: Forbidden Sex (1995), and XX Beautiful Weapon (1993).
Additionally, screenings of Takashi Miike’s Fudoh: The New Generation (1996), Tuff: Part I (1990), Suit Yourself or Shoot Yourself!! VI: The Hero (1996), and The King of Minami (1992) will also be held during the festival. Not ignoring V-cinema’s long relationship with horror, the festival will the supernatural anthology Scary True Stories: Second Night (1992), the found footage horror Psychic Vision: Jaganrei (1988).

The complete programme for IFFR’s 55th edition will be launched on 16 December 2025.
More Film Reviews
DASHCAM (2022) Film Review – The Rhymes are Fresh, The Bodies Putrid
Rob Savage gave us one of, if not the best, screen-life found-footage horror films to date with Host. Brilliantly presented as a terrifying experience in the duration of a free zoom…
The Emancipation of Sugar Hill (1974) Film Review
One purpose of the arts is to help society’s members make sense of the world they live in by holding up a mirror that exposes problematic areas. Two such…
The Human Trap (2021) Film Review – An indie Horror Diamond in the Rough
The Human Trap, a 2021 film by director Lee Moon-young, is a bizarre South Korean indie horror movie that teaches us to trust no one and always look out for…
Prey (2022) Film Review – Predator is Revitalized
It’s no secret that since the original and beloved Predator hit cinemas back in 1987, the franchise has seen a steady decline in quality, with each subsequent entry somehow managing…
The Mummy (1958) Review: Classic Horror Receives Rerelease
As a horror reviewer, I spend most of my movie time with new and upcoming releases, so I jumped at the chance to review Second Sight Films’ rerelease of 1958…
Dildo Heaven (2002) Film Review – Doris Wishman’s Swan Song Gets a Deserved Release [Fantastic Fest 2025]
Dildo Heaven is a 2002 American sexploitation comedy written and directed by Doris Wishman. The story follows Lisa, Beth, and Tess, three roommates living together, all trying to seduce their respective…
