Slashers are one of my favorite horror subgenres and I like consuming as much as I can, they can be pretty unique or pretty derivative. For this article, I want to talk about a couple of films that popped up into my head that no one seems to be talking about: Sorority Row and Just Before Dawn.
Sorority Row
Directed by Steward Hendler, Sorority Row is a 2009 ‘whodunit’ slasher that’s also a remake to the 1983 cult classic The House on Sorority Row. A clique of sorority sisters get directly involved in a prank gone wrong that sends a mysterious killer to off them one by one during their last hurrah as college kids.
I know some of you might be rolling their eyes at this one. “Not another remake.” Well, yeah, but this one is pretty fun and stands on its own legs, though. The killer’s choice of weapon is unique and admittedly badass. They get to utilize it in some pretty creative kills. Then there’s also the iconic and endlessly quotable mean girl Jessica, who absolutely steals the show. Actress Leah Pipes did an incredible job. That said, the rest of the cast is pretty great, too, and we get a pretty take-charge final girl in Briana Evigan’s Cassidy. Finally, a quick shout-out is in order for the score by Lucian Liane, which blends seamlessly with the diegetic soundtrack during some choice scenes, which I don’t think a lot of films have done. Down a couple of drinks and/or see it with your friends, it’s a pretty fun time.
Just Before Dawn
Jeff Lieberman’s backwoods slasher was released smack dab in the middle of the slasher heyday in 1981. In it, a group of youngsters go on a hiking trip in a remote forest that’s home to an inbred killer.
While other slashers are preoccupied with upping the crimson quota, this film really goes for getting under the audience’s skin by being atmospheric and suspenseful rather than focusing on gore. The film has its gruesome moments but it is more focused on character development and eeriness, backed by Brad Fiedel’s score. It also boasts an interesting arc for our final girl who goes from meek and mild city girl to a fierce warrior by the end of the film. Definitely check this one out if you’re looking for a moody slasher.

More Reviews:
Phantom Of The Mall: Eric’s Revenge (1989) Film Review – Remastered Slasher For FrightFest
When I watch a horror movie from the 80’s, I inevitably have the thought of “how the hell did this movie get made?” Don’t get me wrong, there are some…
Revisiting ‘Kairo’ During a Global Pandemic in the Age of Social Media
“People don’t really connect, you know.” A sentiment that is often shared among film fans about some of the most eminent artists in the industry is that they were and/or…
The Feast (2021): A Welsh Last Meal to Remember
Warning: The soundtrack for this film is very likely to trigger migraines. The first scene immediately sets the tone by framing a death scene with discordant, high pitched metallic sounds…
Evil Eye (2022) Film Review – Toronto After Dark Film Festival
Toronto After Dark Film Festival describes Isaac Ezban’s latest as “possibly the scariest film in [their] lineup this year,” and it is not difficult to see why. Balancing storybook wonder…
Biotherapy (1986) – An Unknown Japanese Sci-Fi Horror Short
Biotherapy is a Japanese 1986 sci-fi horror that’s aptly described as a slasher merged into a splatter creature feature. The short movie was released as a project from the limited…
28 Years Later (2025) Film Review – Still Infectious
In 2002, 28 Days Later revitalised the zombie genre, introducing new lore and changing the game forever. And while 28 Weeks Later (2007) didn’t – and couldn’t – compete with…

Dustin is a horror fan and sometimes short story writer who hails from the Philippines. He likes a lot of the horror genre but usually goes for slashers and arthouse/slowburn stuff. Currently, he’s trying to make up for lost time in the horror literature world by digesting as many horror books as he can.