Mors Omnia Solvit (aka “Frammenti – I Veneratori di Morte”) is an Italian extreme satanic horror film directed and produced by Congrega Esoterica Padovana. The name is based on a Latin phrase meaning “death solves everything” or “death loosens all bonds.”
Set in contemporary society, a young woman, a modern incarnation of Persephone, lives an alienated life trapped in a desolate and oppressive environment. One day, she meets a group of death worshippers, a sect led by Hades, who explore the limits of life and death through disturbing rituals and extreme visions.
Emulating a similar format to the silent-era films of old, Mors Omnia Solvit relays the majority of its narrative through expository intertitles and environmental storytelling. While its non-linear design and symbolic imagery leave certain elements to be discerned by the audience, its slight enigmaticism certainly delivers a compelling yet loose narrative that can leave certain elements open to interpretation. Deriving story components from the ancient Greek myth of Persephone, daughter of Zeus and Demeter, who married her uncle, Hades, and became Queen of the Underworld after being abducted. However, unlike the myth, with Persephone being a prisoner tricked into servitude after tasting the food of the Underworld, the plot embodies the darkness of the original tale, with her embracing and relishing her role as Queen of the Underworld.
In addition to this inspiration, Mors Omnia Solvit also draws from several classic titles in genre cinema. From the allegorical imagery and experimental plot of Opera Mortem (1973) and Begotten (1989), to the obsessive relationship with death explored in Nekromantik (1988), its sequel Nekromantik 2 (1991), and Der Todesking (1990) to name but a few, the movie openly showcases its influences for all to see.
Being an experimental horror, the cinematography of Mors Omnia Solvit is used as an expressive tool to shape the audience’s perspective. Featuring an eclectic mix of emblematic symbolism, suggestive imagery, and fluctuating shutter speeds, the footage blurs the lines between reality, fantasy, and drug-induced hallucinations. Additionally, the film primarily features black-and-white (desaturated) imagery and employs dark, shadowy environments to highlight this stylistic choice. However, there are a few instances of color footage overlaid on the monochrome scenes, intensifying the overall muted palette.
Featuring a smorgasbord of practical effects, the visceral nature of Mors Omnia Solvit is certainly its most alluring aspect. The vast amount of blood splatter and eviscerated body parts strewn across scenes, whilst highly detailed, are certainly emphasized by the black and white cinematography. However, the Pièce de résistance is certainly the ritualistic sacrifice delivered in the finale, delivering a savage display of dismemberment, cannibalism, and cult hecatomb.
Provided by Italian metal band Mater A Clivis Imperat, founded by Samael Von Martin, former guitarist and founder of the historic black metal band Evol, Mors Omnia Solvit’s score does an impeccable job of shaping the scene’s tone. From frantic, ominous rumblings and energetic folk music to pulsating strings and industrial metal, the soundtrack continuously evolves, blending various genres into a cohesive accompaniment to the dark and disturbing visuals.
An alluringly foreboding glimpse into a world of Satanism and thanatophilia, Mors Omnia Solvit is a captivating exploration of death and desecration displayed with sleek modernity. With its experimental storytelling, avant-garde cinematography, and astounding score, the film is a bold infernal dreamscape of dissolution and destruction.
Mors Omnia Solvit will be available to preorder from TetroVideo’s website soon!
More Extreme Cinema
*I feel the need to add to this article the fact that I was engaged as a freelance contributor to the film’s post-production team, specifically responsible for creating the end… La Petite Mort is a 2009 German splatter horror film, written and directed by Marcel Walz with additional writing from Martin Hentschel, who both worked on the film’s sequel, La… There have been several films made about the Japanese urban legend known as Hitori Kakurenbo. There are also several ways that the title has been presented in English: hide and… When it comes to horror subgenres, body horror is, by far, the most impressive visually – the loss of bodily autonomy in the most horrendous and intimate way. As such,… U.V.F: Underground Video Films is a 2026 extreme found footage horror anthology comprising shorts directed by João Augusto De Nardo (Tenebre Radio, Corrupted Pleasure, Presenter Interludes, Room 44, Tenebre Video… A trip you will never forget, cult director Aldo Lado’s Night Train Murders (Last Stop on the Night Train) is a grimy exploitation film billed early on as “The New…
Human Hibachi 3: The Last Supper (2025) Film Review – The End of an Era
La Petite Mort (2009) Film Review – A Serviceable Serving of Sadistic Suffering
Creepy Hide and Seek (2009) Film Review – The Sleazier Side of a Famed Urban Legend
11 Best Body Horror Anime Of The 80s & 90s – A Vessel For Visceral Visuals
U.V.F: Underground Video Films (2026) Film Review – We Don’t Call Them Anything, We Just Show Them
Night Train Murders (1975) Film Review – Last Train on the Left
Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.