After contributing to periodical manga magazines such as Manga OK in the mid-60s, the ever-ambitious Taro Bonten would decide to create his own bespoke gekiga magazine in 1969 named Black Ace. However, this wouldn’t be just any normal magazine and would seek to recreate the mystery genre started by kasutori magazines in the late 1940s.

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Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei was struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969

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Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei was struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969

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With his OVA A Kite released in 1998, Yasuomi Umetsu would leave an indelible mark on the world of adult anime. Able to take a rare auteur approach by simultaneously designing, writing, and directing the OVA; Umetsu would create a short film dripping with his own personal style, heavily inspired by Western action movies. This

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Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei were struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969

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Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei were struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969

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c Despite being Japan’s oldest film studio, Nikkatsu by the late 1960s was struggling: with TV quickly becoming the go-to source of entertainment, ticket sales for films were at an all-time low. In order to compete with TV, Nikkatsu needed something that couldn’t be broadcast, and their attention, like many other studios at the time,

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  Arguably one of the most celebrated European exploitation subgenres, nunsploitation rose to prominence in the 1970s following The Devils in 1971. Largely driven by Italian productions such as Sister Emanuelle and The Killer Nun, nunsploitation with is irresistibly lurid subject matter, often exploiting themes of sacrilegious lesbianism, was massively influential across the world. Even

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  Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei was struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s

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When looking at the origins of sukeban media, the first representation of the genre came in 1967 with Taro Bonten’s Modern Delinquent Girl Stories manga; with the first proper sukeban film, Girl Boss: Broken Justice, not coming later until 1969. That isn’t to say, however, that vestiges of these themes weren’t explored prior to this.

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