Author: Michael Williams
My offer still stands, but if you get us out of here alive, I’m throwing anal in with the deal” – Tasha (Kenzie Phillips) If you are reading this because Don’t F*** in the Woods 2 sounds like a great title, save yourself the effort of reading further and go watch it. For fans of
What did we get in the end? Constant pressure. Unmet expectations. Workhorses! All for a bunch of men that did not know what to do with us on the wrong side of 35. – Harper Dutch Hagsploitation is the subgenre of exploitation and horror films about older women who have become aged, ugly and
The sparsely populated northern European country of Norway is the home of large reindeer herds, fjords, the birthplace of black metal, and many quality horror films. A list of notable Norwegian horror titles includes the fable Thale (2012), the excellent, found-footage film Troll Hunter (2010), The Lords of Chaos (2018), and the newly discovered Lake
The Classic Movie Monsters of Hollywood from the 1930s During the Great Depression, Americans sought relief in the comforting darkness and fantasy worlds they found in movie theaters. In the years following the violent conflict and subsequent societal upheavals of WW I, the United States suffered an epic economic crisis caused by the stock market
“Today is not a day to be scared of madness.” -Luis Virus-32, an exciting, new entry to the crowded field of zombie movies, has arrived from South America and is currently streaming on Shudder. In this Uruguayan movie, the zombies become catatonic for 32 seconds after a killing, allowing the survivors a brief window to
Everything goes in the world of luchador films! Luchador film is a popular genre based on the characters of Mexico’s thriving professional wrestling circuit. Lucha libre (named after the wrestling style used by the wrestlers) films were prevalent from the late 1950s to the 1970s. While these films, with their masked, barrel-chested heroes and lithe
In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives. (SOURCE) The opening shot of writer/director Ti West’s first feature film in six years, X (2022), artfully establishes both the
1996’s Scream was a game-changer for the slasher genre. By playing with well-established conventions, the movie directly engaged the audience in a conversation about what they were watching and toyed with their expectations. This self-aware approach rejuvenated the slasher for critics and public alike, summoning a tidal wave of copycat films. This meta approach became
On the surface, co-writers and directors Madeline Fewer-Sims and Dusty Mancinelli’s 2020 thriller Violation is a story of obsession, jealousy, and reconciliation. It is also a genre-defying movie that inverts common tropes to take audiences out of their comfort zones and deep into abject territory. To present this deeply disturbing and ambiguous tale told from
Why people remain in situations of domestic abuse can be difficult for outsiders to understand. That is because there are unseen, powerful forces that keep victims in dangerous, toxic relationships. Abusers are manipulative and controlling, experts at exploiting their partners’ insecurities to entrap them in an unhealthy relationship. Writer-director Joseph Catté’s short, Ad Lib, illustrates