I’ve always enjoyed debating an entertaining hypothetical scenario, and the crazier the better; from insane vs. match-ups of different competing franchises, to the animal kingdom, or even warring countries from different time periods. It’s especially enjoyable when those debating can defend a side by reeling off near-encyclopaedic knowledge to back up their reasoning. Yet, what if instead of just discussing these theoretical battles, they were used as a basis for a horror film that cuts out any unnecessary plot and gets straight to the gritty death matches? If you have ever had this thought then you are in luck my friend, because Monster Brawl may just be the answer to your prayers.
Monster Brawl is a 2011 Canadian horror comedy, written and directed by Jesse Thomas Cook with additional writing from Jason David Brown. Brown is known for directing other low budget horror films such as Scarce (2008), Septic Man (2013) and The Hoard (2018) but unlike these examples, Monster Brawl is considerably different in style and tone.
“Eight of the world’s most legendary monsters, along with their diabolical managers, compete in a wrestling tournament death match to determine the most powerful champion of all time. Interviews, pre-fight breakdowns, trash-talking, and monster origin segments round out this ultimate fight of the living dead.”
Presented as a pay-per-view event, Monster Brawl utilizes this framing effectively, even including commentators who perfectly embody the over-the-top energy displayed by their real-life counterparts. The fighters are all introduced with their respective backstory as well as interviews with themselves and their managers, emulating the entire charade in an entertaining manner.
However, those hoping for huge franchise characters such as Freddy or Leatherface will be highly disappointed, with the roster of fighters consisting of public domain monsters rather than spending large qualities of money on character rights. A mummy, a lady vampire, a cyclops, and a werewolf are just a few of the contestants battling it out for superiority against their fellow monsters. Though the characters are fairly competent in design, a number of the actors, who are not wrestlers, struggle to strengthen this pretence with some weak promos and smack talk.
Although there is a level of storytelling interwoven into the creature’s backstories, with each fighter receiving a competently produced five-minute short story about their creation, the bulk of the film is portrayed as rounds of a one-on-one death match. This makes it difficult to classify Monster Brawl as an actual film because it lacks any real substance other than some mindless simulated violence over the course of 90 minutes.
Nevertheless, Monster Brawl may be the perfect feature to gather some friends together, become inebriated and place some bets on your favourite classic monster archetype. Although, it’s understandable that the film will only be entertaining for the first viewing, with little re-watch value coming from knowing the outcomes already. Despite this, Monster Brawl is certainly a unique concept and is sure to entertain those looking for a good smackdown.
More Film Reviews
Something deadly has begun in the woods as an infectious spore mutates from ‘Patient Zero’ to begin an alarming spread. People are its food source as well as reproduction method,… Korean genre cinema has never shied away from violence; from the unrelenting stream of beatings in I Saw The Devil to the eye-wateringly graphic tooth extraction in Oldboy, blood… c Despite being Japan’s oldest film studio, Nikkatsu by the late 1960s was struggling: with TV quickly becoming the go-to source of entertainment, ticket sales for films were at an… Ghost Lab is a supernatural Thai horror that has an extraordinary, unique story accompanied by a massive twist. However, it has an unnecessarily long run time of almost two hours!… Considering the renowned success of Parasite (2019), among many others, South Korean cinema has finally started to receive a recognition outside of Asia that has been mostly reserved for Japanese… Shih Chun is Ho Yun-Qing, an intelligent student who fails his imperial examination and, after failing to find a respectable job well, decides to become a manuscript copyist. His minimal…
The Spore Film Review (2021) – An Apocalyptic Infectious Outbreak
Project Wolf Hunting (2022) Film Review: Cargo Ship Carnage For Gorehounds And Gamers
Cruel Woman’s Love Suicide (1970) Film Review – Forbidden Lesbian Love Ushering in a New Era of Erotic Film
Ghost Lab Review (2021) – A Scientific Ghost Horror from Thailand
0.0 MHz (2019) Movie Review – Possessive Horror from South Korea
Legend Of The Mountain (1979) Film Review – Triumphant execution of a typical Folktale-ish Narrative
Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.