Martin doesn’t think much of being a vampire. He knows what he gets up to once the sun goes down. The way those women look at him when he suddenly appears. Their eyes reminding him he wasn’t invited in here with them. Never invited anywhere. How they struggle to get away from him. Always fight
Upon first glance at Hallucinations, you can tell exactly what cinematic stains the Polonia Brothers have gotten down on their knees to sop up. They’ve found lots of overflow from the troughs of HG Lewis and George Romero. And there’s more than enough Frank Henenlotter stickiness to make a DNA swab of their cultural influences
There is good reason why Don’t Look Now so rarely feels like it is a horror film. It is much too concerned with going about its daily business as if nothing terrible actually happened. Opening with a traumatic turn of events that will lead to the image of Donald Sutherland rising from some primordial pool
Sucking dry its predecessor’s persisting legacy as one of the preeminent vampire movies of the 21st century, 30 Days of Night: Dark Days forces a change of pace and goes kaput in delivering an equal or even ranging proximity with the first installment. Withdrawing from the first film’s zealous efforts just to push a sequel,
Kenny HedgesKenny Hedges is Carbon-based.