There have been several films made about the Japanese urban legend known as Hitori Kakurenbo. There are also several ways that the title has been presented in English: hide and seek with a ghost, one man hide and seek or even hide and seek with yourself. It’s difficult to track it back to its origins,
Extreme horror is an interesting subset within the wider genre of scary movies as a whole. For some, it is a wholly unapproachable category to be whispered of but avoided. To other gorehounds, rattling off the specific films you’ve seen can function something like a badge of courage for what you’ve endured and come out
It is hard to know where to begin when discussing the epic that is Labyrinth of Cinema, the final directorial feature of Nobuhiko Obayashi. Perhaps it is best to start with the director himself. With a career spanning sixty years, Obayashi has garnered critical acclaim and an incredible cult following. From his first feature House
When considering currently acclaimed Japanese filmmakers there are several names that can readily spring to mind. From the exhaustively prolific creations of Takashi Miike to the bombastic and arresting works of Sion Sono or even the award-winning output of Hirokazu Kore-eda. By every right, Toshiaki Toyoda is a name that should be just as well
Shot in the Dark is the directorial debut of Keene McRae. Co-written by Kristoffer McMillan and Lane Thomas, it should be noted that all three also perform roles in the film. Perhaps most notably, McMillan takes on the lead role as William Langston. Will has abandoned his small town roots for the glamorous life of
Shudder, as a platform for exclusive releases, has been an enjoyable and interesting experience. Being able to curate directly for fans of the genre has allowed an impressive range of movies to get much broader exposure than they may have while getting lost in the mix on a wider service such as Netflix or Hulu.
Writer/Director Pierce Berolzheimer made a show-stopping debut at this year’s Arrow Video FrightFest with the world premiere of his first feature: Crabs!. The film is a wonderfully crafted love letter to classic monster movies that exceed the trappings of other low-budget creature features with some excellent pacing and well-developed characters. You can read our full
By all rights Crabs! seems like it ought to be the sort of film that is a complete joke. Nominally it is about a horde of murderous mutated horseshoe crabs that invade and terrorize a coastal town. It feels like it ought to be the sort of low effort, low budget SyFy picture original awash
South Korean cinema has carved out an incredible niche releasing thrillers tinged with a deliciously dark tone. From brutal revenge-fueled classics like Old Boy to soul-destroying crime thrillers often focused on serial killers like I Saw the Devil, these films have made a noticed and beloved impact on the genre that is here to stay.
Prisoners of the Ghostland wastes no time engaging viewers with its opening scene depicting the curious contrast of the stark white interior of a bank with its many patrons donned in bright vibrant solid colors. Seconds later, Nicolas Cage, as our lead simply dubbed Hero, bursts through the front door clad in black and wielding