When it comes to the cinematic phenomenon that was pinky violence, one of the key attractions was its stars: Reiko Ike, Miki Sugimoto, Reiko Oshida, and Meiko Kaji to name a few. Rocketing to the heights of pop culture icons, the media couldn’t get enough of these glamorous women, with at least one of them
After contributing to periodical manga magazines such as Manga OK from the mid-60s, the ever-ambitious Taro Bonten would decide to create his own bespoke gekiga magazine in 1969 named Black Ace. However, this wouldn’t be just any normal magazine and would seek to recreate the mystery genre started by kasutori magazines in the late 1940s.
The genre, now referred to as “Pinky Violence”, would absolutely dominate cinema in the early 70’s, which was largely helmed by Toei in their focused attempt to pump out many popular films to quickly and cheaply as possible to meet their quota of two new films every fortnight in order to obtain exclusivity contracts with