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Day Shift (2022) Film Review – A Fun Vampire Comedy That Doesn’t Quite Hit the Jugular

Ruben KirkOct 4, 2022
Day Shift Netflix

Vampires vs. The Bronx, Night Teeth, and now J. J. Perry’s Day Shift: someone over at Netflix is into the prospect of investing in…

The Stylist (2020) Film Review: A Stylish Mediation on Loneliness

Hannah SwarbrickOct 3, 2022
the stylist

The Stylist is a stylish and incisive character study and portrayal of the effect acute isolation, alienation and obsession can have on someone. Based…

The Dead of Night Film Festival 2022

Luke GreensmithOct 3, 2022
The Dead of Night Film Festival 2022

The Dead of Night Film Festival is Merseyside, England’s only dedicated horror film festival. It ran across the 1st and 2nd of October for…

My Best Friend’s Exorcism (2022) Review – Fan Favorite Book Makes its Way to Film

Dustin DomingoOct 1, 2022
My Best Friend’s Exorcism (2022) Review – Fan Favorite Book Makes its Way to Film

What would you do for a friend? How far would you go for them? What if they were possessed by a demon? Those are…

Interview with Filmmaker, Writer, Artist and Performer Johannes Grenzfurthner

Adam SymchukSep 30, 2022
Interview with Filmmaker, Writer, Artist and Performer Johannes Grenzfurthner

Writer/director and the founder and artistic director of monochrom, Johannes Grenzfurthner is one of the most unique voices in cinema today. We were lucky…

GIVE ME PITY! (2022) Film Review – A Bold Assault on the Senses

Michael WilliamsSep 30, 2022
Give Me Pity

“Ever try to lose yourself? No! Because you’re too busy trying to find yourself.”      -Sissy St. Claire Subversive feminist filmmaker Amanda Kramer…